Grab your suitcase and board the Orient Express for a trip you won’t soon forget.
Goldis’ metamystery takes inspiration from one of Agatha Christie’s most famous stories.
In The Chateau (2023), Goldis lured readers into a locked-room murder mystery, a favorite Christie plot device, setting the tale in Provence. Her latest twisty tale of deception takes place, in part, aboard the newly restored Orient Express, and it’s as much a colorful travelogue as a tale of suspense. Rory Aronov is ensconced in the luxury train’s most expensive compartment courtesy of the reclusive bestselling author Ginevra Ex. But three days before Rory boards the train, we witness Ginevra hovering over a dead body. It’s a cinematic and bloody scene that immediately pulls the reader in. The trip, along the west coast of Italy, is a thank-you gift from Ginevra because Rory was the inspiration for the author’s most recent novel. Ginevra has written many books; each time, she buys a real person’s backstory, fictionalizes it, and molds it into a bestseller. So why, then, is Rory’s brother, Max, on the train, as well as her former fiance, Nate, and her friend Caroline? And why have copies of Ginevra’s new book been stolen before Rory and her companions can read them? Is someone toying with them? Narrating the book in alternating chapters, Goldis’ travelers are provocatively unreliable, and the sense of uncertainty they bring to the story laces it with foreboding and danger. The purple-haired Ginevra is equally unreliable, and as her backstory unfolds, we realize she may be connected to Rory and company; the only question is how. Goldis unceasingly pits her characters against each other, just as Ginevra does in her novel, and the parallels between Ginevra’s novel and Goldis’ build delicious tension and drama.
Grab your suitcase and board the Orient Express for a trip you won’t soon forget.Pub Date: May 21, 2024
ISBN: 9781668013045
Page Count: 336
Publisher: Emily Bestler/Atria
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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