After comparing several of the original Grimm variants, Zelinsky has selected and retold to make his own version. Graceful and lucid, it differs from the familiar in having the imp overheard crowing about his name by a servant rather than by the king, and by having him ride about and ultimately depart forever on a cooking spoon, a non-violent conclusion. Zelinaky's illustrations are opulently painted, full of classical architectural detail, fantastic distant landscapes, and that early use of perspective which gives a raked stage effect. Rumpelstiltskin is a bug-eyed, spindle-legged Machiavelli of an imp, dressed as a courtier. The miller's daughter/queen has the face of a madonna, although her expressions are contemporary enough to interest modern children in her plight. The king (not a savory character, since he was prepared to murder his wife if she failed to spin straw into gold) stays in the background. A distinguished edition of one of Grimm's favorite tales.
Pub Date: Oct. 16, 1986
ISBN: 0525442650
Page Count: 46
Publisher: Dutton
Review Posted Online: May 12, 2012
Kirkus Reviews Issue: Sept. 15, 1986
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pretty, though as condensations go, less Wonder-full than Robert Sabuda’s pop-up Alice (2003) or the digital Alicewinks...
A much-abridged version of the classic’s first five chapters, dressed up with large and properly surreal illustrations.
Rhatigan and Nurnberg retain “Curiouser and curiouser!” and other select bits of the original while recasting the narrative in various sizes of type and a modern-sounding idiom: “Tiny Alice needed something special to eat to get back to her regular girl size.” They take Carroll’s bemused young explorer past initial ups and downs and her encounter with a certain (here, nonsmoking) Blue Caterpillar. Looking more to Disney than Tenniel, Puybaret casts Alice as a slender figure with flyaway corn-silk hair and big, blue, widely spaced eyes posing with balletic grace against broadly airbrushed backdrops. Leafless trees and barren hills give Wonderland an open, autumnal look. The odd vegetation adds an otherworldly tone, and compact houses and residents from the White Rabbit and the Dodo to occasional troupes of mice or other small creatures in circus dress are depicted with precise, lapidary polish. A marginally relevant endpaper map (partly blocked by the flaps) leads down the River of Tears, past a turnoff for a Bathroom and on toward “the Tea Party.”
Pretty, though as condensations go, less Wonder-full than Robert Sabuda’s pop-up Alice (2003) or the digital Alicewinks (2013). (Picture book. 5-8)Pub Date: Feb. 24, 2015
ISBN: 978-1-62354-049-4
Page Count: 28
Publisher: Charlesbridge
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Funny and provocative.
A tooth-fairy mogul wrote the manual, but even the expert can be caught off guard.
Tallulah, CEO of Teeth Titans Inc., gives readers a sneak peek into her glamorous life. The wry narrative mimics the tone of many an inspirational biography, informing readers that Tallulah works hard to strike “a healthy balance between the three Ps: passion, purpose, and what pays.” From yoga to museum visits, Tallulah seems to have a full schedule, but she still makes time to hire and train tooth fairies for the entire world. Expert Tallulah has all the answers—or so she thinks until the night she gets a surprise from a little boy. Ballard has lost his tooth—literally—and leaves an explanatory note under his pillow in place of the missing item. This triggers an emergency board meeting that features remarkably realistic dialogue. Tom, a white man and the only board member who is not a woman of color, wears an #AllFairiesMatter T-shirt; his off-topic complaint about the lack of diversity makes an opening for important conversations with young readers. Tallulah is black and sports a voluminous purple Afro; Tom is the sole white character. Details in both Pizzoli’s text (Tallulah’s also the founder of the National Association for the Appreciation and Care of Primary Teeth, or NAACP-T) and Fabiani’s matte illustrations (a series of enormous, Warhol-like prints of Tallulah adorns her walls) will set adult readers chuckling.
Funny and provocative. (Picture book. 6-10)Pub Date: July 30, 2019
ISBN: 978-0-374-30919-0
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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