Former Californian Singh's first US publication is a well- crafted, if somewhat uncomplicated, story describing the adventures of an American woman who surrenders the life she knows to be with her husband—and his other wife—in India. Before 1952, it was legal for Sikhs to have more than one wife (divorce remaining unthinkable), which, here, poses problems for a young couple who fall in love while earning their master's degrees at Berkeley. The handsome, charming Tej convinces Helen to marry him anyway, though, and so she leaves her home to join him in his native Punjabi village, where the newlyweds live in a large family complex without running water or electricity—but with a spare wife. Tej assures Helen that the marriage is a formality: Dilraj Kaur is his dead brother's widow, and the marriage is in name only, the kind of union commonly performed to protect the rights of widows and ensure the inheritance status of their children. It all sounds reasonable enough, but when Helen arrives a domestic power struggle begins. Dilraj Kaur organizes the household tasks, alienating Helen in a world where family service is supreme; further, she attempts to pit Tej's family, his mother, father, two sisters, and brother against Helen, implying that she bewitched the much beloved Tej. Meantime, Tej refuses to believe the situation is anything but cozy, and Helen does try to accommodate Dilraj Kaur, especially since she and Tej are soon to be parents. One accommodation leads to another until Helen feels a shadow of her former self—no longer the adventurous young woman with a passion for photography but a pregnant matron without a voice. She runs away to an ashram, not quite sure whether she wants Tej to follow or not. But of course he does, after sending Dilraj Kaur off to live with her brother, and the future looks rosy. Predictable fare, but Singh nicely depicts her frustrated heroine unraveling the elaborate configurations of domesticity in India.
Pub Date: June 1, 1997
ISBN: 1-877946-85-0
Page Count: 217
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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