Intriguing and impressive while remaining inextricable from its dramatic context.

MIRANDA AND CALIBAN

In an eye-opening departure from her previous fantasy yarns (Poison Fruit, 2014, etc.), Carey reimagines the back story of Shakespeare’s The Tempest as a tale of star-crossed lovers. Sort of.

Whereas the play’s action occupies but a single day—in many interpretations, an allegory of Shakespeare himself constructing a play, as the magus Prospero constructs his brave new world—Carey reconstitutes the events of the prior 12 years without contradicting or even straining the original text, a notable feat in itself. Shakespeare’s magical island has only three material inhabitants: Prospero, his young daughter, Miranda, and the strange, feral boy Caliban, the orphaned son of the witch Sycorax. Prospero, determined to civilize the seemingly intractably savage Caliban, captures and confines him. Desperately lonely, Miranda finds herself drawn to the boy despite his bestial appearance and soon detects a spark of intelligence within him. Under Miranda’s tender attentions, Caliban learns (or recovers) his powers of speech. As their friendship deepens, she learns from Caliban just how little her father has told her of her past or his plans for the future—plans that take no account of any personal wishes or desires she might have—and why he is so determined to render Caliban tractable. In Carey’s interpretation, Prospero, with his godlike abilities to reward and punish, remains an aloof, sometimes-cruel, and wholly unlovable character. But she transforms the largely passive Shakespearean Miranda into a dutiful yet dignified and ultimately tragic figure. And she challenges our perception of Caliban by presenting his attempted rape of the adolescent Miranda (alluded to but not dramatized in the play) as a sympathetic and at least semireciprocal act. Ultimately, he’s still a slave, but of love rather than brutish lust.

Intriguing and impressive while remaining inextricable from its dramatic context.

Pub Date: Feb. 14, 2017

ISBN: 978-0-7653-8679-3

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 22, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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