For dedicated (and somewhat uncritical) fans only; others might prefer to revisit the previous work.
Carey retells her debut novel, the darkly erotic political fantasy Kushiel’s Dart (2001), from the perspective of the protagonist’s lover, the warrior-priest Joscelin Verreuil.
Kushiel’s Dart was a first-person narrative by Phèdre, a courtesan and spy living in an alternate version of France called Terre d’Ange, who was chosen by the angel Kushiel as an “anguissette”: someone who finds physical pain and submission pleasurable. She uses all of her skills and capacities to ferret out a conspiracy against the queen of Terre d’Ange and foil an invasion. In the process, she falls in love with her bodyguard, Joscelin Verreuil, who breaks several vows he has made to the angel Cassiel—including celibacy—when he returns her affections and does his utmost to protect her against a number of threats. Now we get the opportunity to revisit these events from Joscelin’s point of view, but whether the reader will feel enriched by this is questionable. Phèdre is a unique, complicated character who uses her dark desires to disguise that she is also a fiercely intelligent and well-educated spy with a strong independent streak. As her fellow courtesan/spy Alcuin notes, she’s a paradox; as such, the first-person narration in Kushiel’s Dart helps to reveal her thought processes. But Joscelin is basically a trope character: a priest who breaks his vows for a woman and is tormented by the conflicting forces of love, loyalty, and faith. Third person makes him inscrutable and fascinating. You don’t entirely know what he’s really like in the beginning of Carey’s first book; we come to learn that he's a deeply feeling, passionate person whose attempt at stoicism ultimately fails. The first-person narration in this book makes him less mysterious and compelling, which is too bad. This is also an aggressively adjunct book that assumes you’ve read the source material, because it races by all the delicate details of the political conspiracy and how they’re ferreted out. It is somewhat fun to revisit the story, but it feels like an echo, perfunctory and lacking the poetry of the original. The additional material without Phèdre is frankly not all that interesting, either: In particular, Joscelin’s training to become a Cassiline Brother resembles practically every other fantasy novel’s sequence set in a remote school where children learn an elite skill.
For dedicated (and somewhat uncritical) fans only; others might prefer to revisit the previous work.Pub Date: Aug. 1, 2023
ISBN: 9781250208330
Page Count: 528
Publisher: Tor
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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