When siblings Jessie and Evan (The Lemonade War, 2007, and The Lemonade Crime, 2011) accompany their mother on the time-honored midwinter holiday visit to their grandmother’s home in the mountains, the changes are alarming.
Fire damage to the house and Grandma’s inability to recognize Evan are as disquieting as the disappearance of the iron bell, hung long ago by their grandmother on Lowell Hill and traditionally rung at the New Year. Davies keeps a tight focus on the children: Points of view switch between Evan, with his empathetic and emotional approach to understanding his world, and Jessie, for whom routine is essential and change a puzzle to be worked out. When Grandma ventures out into the snow just before twilight, it is Evan who realizes the danger and manages to find a way to rescue her. Jessie, determined to solve the mystery of the missing bell, enlists the help of Grandma's young neighbor Maxwell, with his unusual habitual gestures and his surprising ability to solve jigsaw puzzles. She is unprepared, however, for the terror of seeing the neighbor boys preparing a mechanical torture device to tear a live frog to pieces. Each of the siblings brings a personal resilience and heroism to the resolution.
A fine emotional stretch within reach of the intended audience. (Fiction. 8-11)