A complex and compelling romance with an underdeveloped heroine.

THAT’S NOT A THING

An open-hearted lawyer is forced to choose between her fiance and her dying ex in Friedland’s (Trouble the Water, 2018) novel about love and forgiveness.

Meredith Altman is a successful Jewish attorney living in Manhattan and planning a wedding to handsome Aaron Rapp, a pediatric surgeon. However, in 2017, a celebratory dinner with friends changes everything: The Tribeca restaurant’s chef and owner is Wesley Latner, Meredith’s ex-fiance, whom she hasn’t seen in five years. Old feelings resurface in the form of flashbacks to their young love and Wesley’s unwavering support for Meredith’s tenuous family situation, which had her parents on the verge of divorce before her mother’s cancer diagnosis. Years later, to escape from the stress of the plans for their son’s wedding, Wesley’s parents set out on a vacation and were killed in a plane crash, causing a grief-stricken Wesley to blame Meredith for their deaths before he moved to London. Now that she’s engaged to another man, Meredith seeks closure before Wesley drops a bomb: He’s been diagnosed with Lou Gehrig’s disease, or ALS, and his body is rapidly deteriorating. Without consulting Aaron, Meredith invites Wesley to move into the apartment they share, and one intimate moment between Meredith and Wesley threatens Meredith’s relationship with her fiance as well as her sense of self. Can Aaron forgive Meredith for her slip, or is the dying Wesley the one Meredith was meant to be with all along? Friedland’s sharp prose and plotting make Meredith’s dilemma a relatable one: The pull between past and present can be difficult even when a debilitating illness isn’t part of the mix. But Friedland keeps the reader guessing about what Meredith will do—not only about her romantic partners, but also about her career as a lawyer who caters mainly to big tobacco companies. Unfortunately, the development of Meredith’s character often gets lost as she seeks to care for others: her parents, her future in-laws, the former and current men in her life. Though her do-gooder spirit is firmly established, not much else of Meredith’s personality is.

A complex and compelling romance with an underdeveloped heroine.

Pub Date: April 14, 2020

ISBN: 978-1-68463-030-1

Page Count: 352

Publisher: SparkPress

Review Posted Online: March 4, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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