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MY NAME IS ANNE, SHE SAID, ANNE FRANK

THE MEMOIRS OF ANNE FRANK’S BEST FRIEND

Anne Frank enthusiasts will wish for more about her, but van Maarsen offers valuable testimony about the particular tensions...

Called “Jopie” in Anne’s published diary, a childhood friend recalls her family’s history as it intersected with the Franks’ before, during and after the Nazi occupation of the Netherlands.

Anne Frank does not appear until page 76, when the author recalls seeing after school one day in 1941 “a short, skinny girl with shiny black hair and rather sharp features.” The two quickly became friends, despite their differences: Jacqueline was reserved and conservative, while Anne was much more aggressive, frisky and curious about boys and sex. Van Maarsen remembers their many hours together playing ping-pong, watching rented movies, sleeping over, playing Monopoly, gossiping about classmates and film stars. One of the strongest moments here is her description of a visit to the Franks’ house immediately after their “departure.” (As the family intended, she believed they had fled to Switzerland and did not learn until after the war that they had been hiding in the secret annex of Otto Frank’s business). Van Maarsen saw Anne’s unmade bed, her new shoes lying on the floor, the entire house uncharacteristically unkempt, the breakfast dishes not yet washed. But Anne’s story consumes a small percentage of the pages here; it’s sandwiched between two long passages about the author’s French Catholic mother and Dutch Jewish father. The van Maarsens escaped deportation and murder only because of the mother’s Aryan status: She pulled strings to cancel the children’s registration as Jews, and her husband was permitted to remove his yellow star upon providing a (false) affidavit that he’d been sterilized. None of them knew the fate of the Franks until Otto returned after the war; it was not long thereafter that he and the author learned of his two daughters’ deaths at Bergen-Belsen.

Anne Frank enthusiasts will wish for more about her, but van Maarsen offers valuable testimony about the particular tensions and horrors her own family endured.

Pub Date: Sept. 1, 2007

ISBN: 978-1-905147-10-6

Page Count: 216

Publisher: Arcadia Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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