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THE WORLD BELONGED TO US

A dream team of talent show and tell a delightful story of summers gone by.

Kids burst out of school and into summer vacation.

Now they can play outside all day till the streetlights come on, when moms call them home. This nostalgic homage to Woodson’s childhood in her beloved Brooklyn evokes the senses: the sounds of laughter and double Dutch rhymes, the sight of sidewalk chalk and bottle cap games, and the taste of an ice cream cone with rainbow sprinkles from the ice cream truck. The refrain, “In Brooklyn / in the summer / not so long ago,” appears in text the color of summer heat: red, orange, yellow. The bell-bottom plaid pants; white, knee-high, color-ringed tube socks; and loud-and-proud Afros pinpoint this story’s ’60s or ’70s setting. The amazing diversity of the neighborhood comes through both in Espinosa’s lively, colorful retro illustrations, which depict Black, brown, and White children, and Woodson’s lyrical text, which describes kids calling “out to each other / in Spanish / in English / in Polish / in German / in Chinese.” They also get along well, with the older kids looking out for the younger ones and those with ice cream money sharing with those without “because some days the ones with no money / were us.” Espinosa depicts many characters with mouths wide open, emphasizing their unbridled delight and loudness. Author and illustrator offer a refreshing reminder of a pre-internet time when full-immersion play was the summer activity and kids took full advantage. (This book was reviewed digitally.)

A dream team of talent show and tell a delightful story of summers gone by. (Picture book. 4-8)

Pub Date: May 10, 2022

ISBN: 978-0-399-54549-8

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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ABDUL'S STORY

A real treasure of a book for any child who has struggled to learn a skill.

A young Black boy struggles with writing—until a special guest visits his class.

Abdul loves to tell stories about the people in his neighborhood, and his friends at school love hearing them. But whenever he tries to write down his stories in a notebook, spelling rules confuse him, and his “scribbly, scratchy, scrawly letters” never stay on the lines. Abdul decides that his stories are not for books. One day, a visitor comes to Abdul’s class; Mr. Muhammad—a Black man with a flattop haircut like Abdul’s and whose sneakers, like Abdul’s, have “not a single crease or scuff”—is a writer who urges the students to “write new stories with new superheroes.” Abdul feels motivated to give writing another shot, but again he ends up with endless erasure marks and smudges. Mr. Muhammad shows Abdul his own messy notebook, and Abdul, who is left-handed, decides to try writing without erasing. He makes a mess but searches through the clutter for sentences he loves. He rewrites and rewrites and works on his mistakes until he forms a story he likes, proudly claiming the title of writer. Bright, full-color, textured digital illustrations depict a racially diverse, joyful community. This story offers an honest portrayal of learning differences and demonstrates the importance of role models who reflect kids’ own backgrounds. It is a lovely addition to the shelf of meaningful children’s books portraying Black Muslim Americans in everyday situations. (This book was reviewed digitally.)

A real treasure of a book for any child who has struggled to learn a skill. (Picture book. 4-8)

Pub Date: March 29, 2022

ISBN: 978-1-5344-6298-4

Page Count: 40

Publisher: Salaam Reads/Simon & Schuster

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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