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TWO TREES

A disorderly mélange of remembrances that won’t pique the attention of a broad audience.

Colleton-Akins (My Experience, 2017, etc.) recollects the religiously infused lessons received from her father and writes about them with co-author and husband, Akins.

In 1978, while Colleton-Akins was attending college in Florida, her father (who is unnamed in the book) fell ill and invited her to visit. He requested that she bring a tape recorder to immortalize a series of wide-ranging lessons that began with and focused on the history of the Israelites, beginning with the Book of Genesis. Her father taught her that gentiles had suppressed those sections highlighting the special election of the Israelites by God, whose true name is Yahawah. Much of the biblical history he related corresponds to the conventional version, but there were notable deviations. For example, he said the existence of the white race dates back to the birth of albinos in Noah’s family line. Unhappy with their pigmentation, angels transformed them into Caucasians. He told his daughter that Lucifer not only tempted Eve in the Garden of Eden with forbidden fruit, but also tricked her into having sex with him. He recounted personal memories as well—overcoming alcohol addiction and protecting her from two strange men who repeatedly tried to steal her. Some of the tales are morbidly dark and presented almost parenthetically; for example, when the author was a young child, her godmother poisoned her milk with kerosene. With the exception of the biblical history, the remembrance is meandering and disjointed—the author’s father jumped without transition from biblical exegesis to tales of the Atlantic slave trade to a short biography of Harriet Tubman. He made macabre predictions about the imminent appearance of the Antichrist as well as the ensuing end of the world. The work is a loving homage to Colleton-Akins’s father, whom she obviously both adored and respected deeply. However, the prose is awkward and leaden, and many of the lessons seem out of place here: “The male, testosterone hormones, is the male trait to produce healthy sperm and to have an erection for pleasure.” Further, the author’s recollections are so idiosyncratically religious they’re unlikely to appeal to readers who don’t share her eschatological convictions.

A disorderly mélange of remembrances that won’t pique the attention of a broad audience. 

Pub Date: Aug. 4, 2016

ISBN: 978-0-9799344-6-9

Page Count: 128

Publisher: Xlibris

Review Posted Online: Nov. 28, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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