A well-executed tale of early man.
Murray (Twenty-Four Days, 2017, etc.) imagines the life of an early hominid, later famously nicknamed “Lucy” by archaeologists, in this adventure novel.
In prehistoric times, a female member of the species Man-who-makes-tools, called “Lucy” in the text, is so traumatized by the sudden deaths of the males in her group—including her “pairmate,” called “Garv”—that she allows herself to be kidnapped by members of another group. As they trek across the dangerous African savanna and rift valley, Lucy’s captor, Raza, tells her she’s been taken because of “deaths without reason,” a phrase that makes no sense to her. Arriving at Raza’s home, she learns two disturbing things: First, the women and children of the group have been carried off by a new kind of predator, a fellow hominid that they call Man-who-preys; second, the mother figure of Raza’s group, the wise and mystical Sahn, had requested that he go forth and capture Lucy, specifically. Sahn believes that Lucy holds the key to both helping to repopulate the group and figuring out a way to keep the Man-who-preys away. Lucy, with her superior knowledge of herbs and hunting, flouts traditional gender roles and provides food for the others. When it comes to confronting Man-who-preys, however, Lucy may need to learn something new. Murray’s lean prose is steeped in the characters’ brutal worldview, which lends a delightful otherness to the narration: “By this time, Lucy felt numb, as much from the death of her Group as the loss of Garv. Garv, her forever pairmate, was as much a part of her as the lush forests, Sun’s warmth, and Snarling-dog’s guidance.” The book’s plot is similar in key ways to other works in the genre, particularly Jean M. Auel’s The Clan of the Cave Bear. However, Murray weaves a taut, compelling narrative, building her story on timeless human concerns of survival, acceptance, and fear of the unknown. Even if readers have a general sense of where the plot is going, they’ll still find the specific twists and revelations to be highly entertaining throughout.
A well-executed tale of early man.Pub Date: June 6, 2018
ISBN: N/A
Page Count: 332
Publisher: Structured Learning LLC
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: June 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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