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A CHANT TO SOOTHE WILD ELEPHANTS

A MEMOIR

The author’s journey is admirable, but his thin memoir fails to relate any sense of spiritual or intellectual development.

Low-key memoir of the author’s search for identity.

Born to a Thai mother and American father, Coffin struggled with his mixed ethnicity through much of his childhood and adolescence, even though his father left the family before the author’s second birthday. Biannual trips to his mother’s home village of Panomsarakram, as well as his discovery of Buddhist philosophy in high school, increased his desire to connect more closely with his mother’s cultural heritage. While studying philosophy at Middlebury College, Coffin began to consider his half-Asian ethnicity as a vital part of his self-identity: “I decided to think of myself as an Asian and a Thai…it gave me a vague excuse to feel unique, exotic, and enigmatic.” In the spring of his junior year, the author received an internship grant to travel to his mother’s village and live for a few months as a monk at the local Buddhist temple. Coffin recalls his spiritual quest in simple, unadorned prose, as he questions his motivations and attempts to achieve the devoted serenity of his fellow monks. After his initiation ceremony, the author embarked on the training required of all new initiates: learning the eight precepts of Buddhism, meditation, ritual chants, maintaining the gardens and lotus ponds, etc. The rigorous labor soon dampened his spirits, and he began to question the monks’ lifestyle: “Rather than chasing after some Ozymandian fantasy, they were content to settle into a balanced state of decay.” Seeking enlightenment, Coffin accompanied his mentor Narong—who taught meditation in exchange for English lessons—on a quest into the forest, where they met the “forest monks” and received alms and gave blessings at various small villages. Unfortunately, the author found little more than banal observations—“This all seemed so unproductive: all this believing in things that you couldn’t see, and searching for knowledge that you’d never be able to use”—and he returned to Panomsarakram, left the temple and spent the remainder of his summer teaching English at the local high school, socializing with the villagers and pining after Lek, a local girl with whom he had spent time during his childhood trips.

The author’s journey is admirable, but his thin memoir fails to relate any sense of spiritual or intellectual development.

Pub Date: Feb. 1, 2008

ISBN: 978-0-306-81526-3

Page Count: 224

Publisher: Da Capo

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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ROSE BOOK OF BIBLE CHARTS, MAPS AND TIME LINES

Worthwhile reference stuffed with facts and illustrations.

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A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.

This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.

Worthwhile reference stuffed with facts and illustrations.

Pub Date: Sept. 1, 2005

ISBN: 978-1-5963-6022-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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