A compelling story of small-town boxing in Alaska and a complex examination of masculine identities.
Adrift in Alaska, a young man confronts his past and seeks direction by competing in a barroom boxing show in Juneau.
In his second memoir, Coffin (Creative Writing/Univ. of New Hampshire; A Chant to Soothe Wild Elephants, 2008) interrogates his close but conflicted bond with his father and his mythical ideals of masculinity. The author was a year out of college when he impulsively embarked on a solo kayaking journey from the San Juan Islands in Washington to Sitka, Alaska. There, he landed a job tutoring at a local high school. One evening, he met and sparred with Victor, a local boxing legend and coach. As Victor recognized the author’s innate toughness, he encouraged him to enlist in a boxing event called Roughhouse Friday. Through these physically demanding, adrenaline-soaked matches, under Victor’s expanding influence, Coffin began to unleash a long-suppressed rage, mainly directed toward his father but also against the subtle bigotry he experienced as the child of a white American father and a Thai mother. His father, a military psychologist, left his mother and their two children in Maine while Coffin was still a young boy and started a new family. The author’s anger toward his father, though intently explored, feels somewhat unprocessed; there’s a raw nerve left under the surface that the author may address in future writing. The strength of the narrative derives from Coffin’s vivid and perceptive accounts of the boxing matches and the participants, each with varying boxing abilities and their own individual scores to settle. “Even the most raw, unskilled bouts,” writes the author, “when watched with any empathy at all for the people in them, reveal a tender story about each fighter: what they are made of, who they are, what sadness they carry, what joy….I sometimes found myself leaving the ring feeling numb and dull while, on other occasions, I went back to my corner on the verge of confused tears.”
A compelling story of small-town boxing in Alaska and a complex examination of masculine identities.Pub Date: June 18, 2019
ISBN: 978-0-374-25195-6
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 9, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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