A compelling story of small-town boxing in Alaska and a complex examination of masculine identities.
Adrift in Alaska, a young man confronts his past and seeks direction by competing in a barroom boxing show in Juneau.
In his second memoir, Coffin (Creative Writing/Univ. of New Hampshire; A Chant to Soothe Wild Elephants, 2008) interrogates his close but conflicted bond with his father and his mythical ideals of masculinity. The author was a year out of college when he impulsively embarked on a solo kayaking journey from the San Juan Islands in Washington to Sitka, Alaska. There, he landed a job tutoring at a local high school. One evening, he met and sparred with Victor, a local boxing legend and coach. As Victor recognized the author’s innate toughness, he encouraged him to enlist in a boxing event called Roughhouse Friday. Through these physically demanding, adrenaline-soaked matches, under Victor’s expanding influence, Coffin began to unleash a long-suppressed rage, mainly directed toward his father but also against the subtle bigotry he experienced as the child of a white American father and a Thai mother. His father, a military psychologist, left his mother and their two children in Maine while Coffin was still a young boy and started a new family. The author’s anger toward his father, though intently explored, feels somewhat unprocessed; there’s a raw nerve left under the surface that the author may address in future writing. The strength of the narrative derives from Coffin’s vivid and perceptive accounts of the boxing matches and the participants, each with varying boxing abilities and their own individual scores to settle. “Even the most raw, unskilled bouts,” writes the author, “when watched with any empathy at all for the people in them, reveal a tender story about each fighter: what they are made of, who they are, what sadness they carry, what joy….I sometimes found myself leaving the ring feeling numb and dull while, on other occasions, I went back to my corner on the verge of confused tears.”
A compelling story of small-town boxing in Alaska and a complex examination of masculine identities.Pub Date: June 18, 2019
ISBN: 978-0-374-25195-6
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 9, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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