For fellow seekers, Buddha-nature on a surfboard.
Eastern mysticism and Western rites of passage inform this second volume of memoir from the San Francisco–based journalist.
In his latest, Yogis (The Fear Project: What Our Most Primal Emotion Taught Me About Survival, Success, Surfing…and Love, 2013, etc.) picks up where Saltwater Buddha (2009) left off. Toward the end, he writes, “somewhere along the line I realized that this book was Sonam’s book—a homage to my old best friend and teacher.” He had met the man who would become something of a spiritual mentor when he was in his early 20s, on a trip to India, trying to find himself and recover from the sort of heartbreak common to a young man who is torn between commitment to another and discovering his own true path. A Tibetan in exile, Sonam not only put his young friend’s problems in perspective; he imbued him with a new attitude. Yogis and Sonam spent a lot of time singing John Denver’s “Country Roads,” adapting the verses to their own situation, and Sonam greets the day by saying, “Dis morning, I bery happy,” and ends the day with, “Dis night, I bery happy.” The book does more than reduce the wisdom of the East to “Don’t Worry, Be Happy,” but its glibness occasionally veers toward spiritual parody. When the author reunites with the girl who had broken his heart, he realized, “Sati could not glue me back together again. We were two ripples on the sea that had drifted together and crossed through each other. Exchanged molecules and skin and ideas. In a way we’d always be together. But the winds had sent us in other directions now.” So Yogis went back to school to study journalism, to learn a trade as well as Eastern religions, and to the beach to surf and reflect on the notion that “God is the sea”—and eventually to a wife and children, otherwise barely mentioned until the end.
For fellow seekers, Buddha-nature on a surfboard.Pub Date: July 4, 2017
ISBN: 978-0-06-240517-3
Page Count: 288
Publisher: Harper Wave
Review Posted Online: April 29, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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