A dark idea for a YA story, executed deftly and with feeling.
In Questell’s debut YA novel, a teenage girl has her first kiss and becomes trapped by a traveling carnival’s magical spell.
While her mother is conducting research in Guatemala, young Emma has been sent to Claremore, Oklahoma, to live with her father. She’s lost and lonely, and during a night out at Le Grand’s Carnival Fantastic, she kisses a boy for the first time. But as soon as their lips touch, she knows that she’s made a mistake—not least of all because the boy then pushes her from the top of a Ferris wheel. As a result, Emma takes on his curse, becoming a sort of marionette—alive but without a heartbeat. Now she must travel with the carnival until she can lure someone into taking her place, as the boy did. Emma’s only solace is the apprentice carpenter, Benjamin, who, in his own way, is also a prisoner to the carnival. It soon becomes apparent that the carnival carries a charm as well as a curse—specifically, no one can die within the carnival grounds. Ben’s mother, it turns out, brought him there to be safe. But although he loves his mom and his circus family, he also longs to live his own life, and so he’s saving up money to run away. In just a few weeks, he’ll be free—but after he meets Emma, romance blossoms. As Questell tells her story of Emma’s incarceration in Le Grand’s Carnival Fantastic, she captures much of the numb wonder and tumbling uncertainty of teenage existence. As a metaphor for first love, the carnival serves quite brilliantly, and the scenario will resonate with YA and new-adult readers. The switching between Emma’s and Ben’s increasingly interwoven stories also ensures that neither the young woman’s nor the young man’s point of view is especially favored. Overall, the author has crafted a compelling book with clear prose and depth of characterization. The carnival is a living, breathing conglomerate of real people with evolving stories that belie clichéd notions of good and bad. As Emma and Ben draw closer together, momentum builds and the pages fly by.
A dark idea for a YA story, executed deftly and with feeling.Pub Date: Feb. 6, 2018
ISBN: 978-1-63375-900-8
Page Count: 300
Publisher: Entangled Teen
Review Posted Online: Jan. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Review Program: Kirkus Indie
Somberly beautiful.
A girl goes in search of her missing sister and discovers a strange hidden world of dreams.
Corin, who’s 18 and dark-skinned, strives to protect her 12-year-old sister, Elly. But life as a thief is full of struggle, poverty, and loss, even without Corin’s avoidance of other relationships. Elly clings to the promise of fairy tales, like the one that says a princess lies sleeping in an underground castle after pricking her finger on a spindle. After the sisters fight and Elly runs off, Corin searches for her in Gyldan’s old network of tunnels—and finds the tale is true: Cursed Princess Amelia, golden-haired, with eyes like “sea glass” and porcelain skin, lies asleep, surrounded by flowers. Corin enters the princess’ dreamworld—the place “where your subconscious desires come to life.” She meets Briar Rose, Amelia’s alter ego, who experienced her share of sadness and wanted to fall asleep. Also in the dreamworld is green-skinned Malicine, the nonbinary demon who, despite having placed the curse of eternal slumber on Amelia, is mostly friendly. All three are running from things they can’t face, though the dreamworld may not give them a choice. Pham’s debut, a Sapphic reimagining of “Sleeping Beauty,” explores mental health and asks a lot of readers as it seesaws between emotional confrontations, time jumps, and scenes where one character inhabits the memories of another, all of which demand intense engagement. Still, the ending is earned as well as positive.
Somberly beautiful. (content note) (Fantasy. 14-18)Pub Date: June 2, 2026
ISBN: 9798217113026
Page Count: 400
Publisher: Kokila
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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