by Jairo Buitrago ; illustrated by Rafael Yockteng ; translated by Elisa Amado ‧ RELEASE DATE: Oct. 3, 2023
A gratifying friendship tale rich in socioeconomic subtext.
Three animals languish at a pet store.
Many animals have arrived and left, adopted by loving owners, but one dog has never been chosen. He watches the world pass from behind the shop window with the other animals waiting for a home, wondering why no one loves him. Each night, when Ana, who works in the shop, goes home, the dog curls up in his box. When the dog, a hedgehog, and a mouse are the only pets left, the store’s owner announces the shop will close. No one adopts the three remaining pets, so Ana takes them home, despite the financial burden of their care. Ana, her grandmother, and the animals watch the world from the apartment window, because “until things get better it’s good to be together.” The story tugs at heartstrings, evoking sympathy for the dog (unnamed until the last line), but Ana is underdeveloped and may come off to some readers as surprisingly ambivalent toward the pets when the moment comes to adopt them: Her decision is motivated by notions of duty or underdog solidarity rather than friendship or love, though both Ana and her grandmother are clearly affectionate with the animals. Yockteng’s digital illustrations are often moving and effective at enhancing the subtle themes of class present in the text. Ana has dark hair and medium-toned skin.
A gratifying friendship tale rich in socioeconomic subtext. (Picture book. 3-8)Pub Date: Oct. 3, 2023
ISBN: 9781773064598
Page Count: 32
Publisher: Groundwood
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Jairo Buitrago ; illustrated by Linda Wolfsgruber ; translated by Elisa Amado
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by James Dean & Kimberly Dean ; illustrated by James Dean
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
Awards & Accolades
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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