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SHAKESPEARE ON ICE

A neatly executed but somewhat thin tale that revolves around classic plays.

In Blake’s time-skipping novel, a Shakespearean actor from the past ends up at the modern Globe Theatre.

In 1613 London, Jon Henry has set the theatrical world alight with his convincing performance of Anne Boleyn in his friend William Shakespeare’s latest play. Unfortunately, the Globe Theatre is literally set alight during a performance, and the entire building burns to the ground. Still wearing his Anne Boleyn dress—his street clothes were destroyed by the flames—Jon joins some of the other King’s Men for a drink. After imbibing some strange potables, Jon drunkenly ends up in the Thames, where he climbs into a floating barrel of freezing brine and sinks to the bottom of the river. He spends four centuries entombed in the concrete foundation of a quay until he’s dislodged by a dredger. The actor, who’s been cryogenically preserved,floats to the surface and awakens in a nearby hospital, confused. He soon realizes that he’s in the 21st century: “Will was gone….everyone Jon had ever known were dead and had been dead for so long, not even their bones remained.” At a loss, he hits the London streets, searching for something familiar. Luckily, he soon meets Emma Morgan, a performer at the modern Globe Theatre, and she has a generous heart. It turns out the Globe is about to begin production on Henry VIII—a play that Jon knows very well, though by its alternate name, All Is True.Can Jon fit in among modern people who would never believe him if he told them his true story? And is Emma, a fine actor herself, hiding secrets of her own?

Blake’s love of Shakespeare is apparent on every page of this book, and fans of the Bard of Avon will surely recognize numerous clever allusions to the plays; when Jon is unconscious in the hospital, for instance, his nickname among the staff is “Ophelia,” as he was found dressed as a woman while floating in the water. However, Blake’s tendency to cater to Shakespeare fandom often has the effect of taking the reader out of the story, as when the novel clumsily introduces the playwright into the narrative: “ ‘William Shakespeare at your service,’ he said with a swooping bow that revealed his balding pate.” Later, when Jon tells Shakespeare that his plays will be read for centuries, the man responds in a manner that shows far too much foresight: “For everything there is a season. The English language is growing, vowel sounds are changing, and some day people will not understand my rhymes and puns.” The modern-day material is a bit more fun: Emma has just played Viola and Cesario in Twelfth Night, and she and Jon both make use of disguise during the story. Unfortunately, the novel never really escapes the Shakespearean framework to find its own reason for being. Bardolators will enjoy keeping track of all of the references, but these won’t likely be enough to sustain the interest of general readers.

A neatly executed but somewhat thin tale that revolves around classic plays.

Pub Date: Nov. 10, 2020

ISBN: 978-0-9858081-9-8

Page Count: 258

Publisher: Morgan Online Media

Review Posted Online: March 29, 2021

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THE BOOK OF ELSEWHERE

A well-written if elusive treat for fans of modern mythologizing.

In which the Angel of Death really wants to take a holiday.

“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream-­ and rust-­colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-­huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).

A well-written if elusive treat for fans of modern mythologizing.

Pub Date: July 23, 2024

ISBN: 9780593446591

Page Count: 352

Publisher: Del Rey

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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THE MINISTRY OF TIME

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

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A time-toying spy romance that’s truly a thriller.

In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

Pub Date: May 7, 2024

ISBN: 9781668045145

Page Count: 352

Publisher: Avid Reader Press

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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