Twenty delightful essays about nature and, especially, birds- -many of which appeared originally in Smithsonian, Country, and elsewhere. Page (coauthor, with Charles Officer, of Tales of the Earth, reviewed above, etc.) admits to sharing his home with a Polish hen and her chick, a parrot, and seven finches—but insists that this didn't start out as a book about birds. Well, it didn't end up as one either. Certainly there's wonderful material about birds here, but calling this a bird book is like calling Lewis Thomas's The Lives of a Cell a histology text. Page isn't merely a sharp observer but a ponderer: His observation of deceit in birds, for instance, leads to speculation about their ability to think and what that means about our own special place in nature (if animals can reason, he says, ``we might be impelled to regard ourselves as one among many expressions of life—a different idea than being high man on the totem pole''). The sight of a cardinal leads to thoughts about the human mind and our own perceptions and experiences of the color red. Whether Page writes about his own homemade backyard pond, the uncertain future of horseshoe crabs, the persistence of starlings, disappearing seashores, threatened rain forests, the death of a baby chimney swift, or the vocalization of songbirds, he's telling us about the reality of things—about ourselves and our world. The essays are mostly brief, often witty, always thoughtful, and written with style and grace. Page urges readers to pass along nature books to friends and to hold on only to field guides—this, however, is a nature book to keep.
Pub Date: May 1, 1993
ISBN: 0-87923-957-3
Page Count: 144
Publisher: Godine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jahren transcends both memoir and science writing in this literary fusion of both genres.
Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.
The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.
Jahren transcends both memoir and science writing in this literary fusion of both genres.Pub Date: April 5, 2016
ISBN: 978-1-101-87493-6
Page Count: 336
Publisher: Knopf
Review Posted Online: Jan. 4, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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