Love him or hate him, Steven weighs his options with a unique and strong voice as he searches for the value of commitment in...
In Seliger’s quirky debut, a 20-something who’s reluctant to propose to his girlfriend brings her to Seattle to visit old friends before he makes his final decision.
Rather than boarding the plane and seeing what happens, Steven is standing quietly in the security line thinking deep thoughts: “there is no better setting for revelation than a trip, ideally one fraught with meaning.” His internal monologue is, at times, overly ponderous. It’s also funny. Steven’s influences range from economist Dan Ariely to comedian Chris Rock as he tries to explain why he’s still carrying Anna’s ring around in a box rather than giving it to her; lists, charts, and footnotes illustrate his reasons. Even the auto-filled answers he finds in Google’s search results seem to offer insights on the differences between men and women when it comes to love (e.g., “why won’t she swallow” vs. “why won’t he marry me”). Some of his observations are eloquent—“so many old people become bitter over time, like over-brewed cups of tea”—while others are crude: “I like forward girls. And wet ones.” Steven tries consulting his old college buddies and casual partners about his dilemma, but all they do is become mirrors, showing him his own flaws. His friend Cooper, for instance, is too much of a party animal to have a mature opinion about marriage, and when Steven is tempted by other women in bars, he finds he’s not much better than Cooper. While Steven considers himself to be an academic, Anna more aptly describes him as being “in his late twenties, going on 16.” He’s so self-absorbed that Anna’s character is often more of an abstract idea than a living, breathing woman. It takes a cancer scare to show that Steven’s fear of adulthood isn’t limited to his fear of commitment. He barely acknowledges that his lab results might bring bad news as he stays out all night while Anna sleeps. He also fails to consider that Anna’s commitment to him isn’t guaranteed.
Love him or hate him, Steven weighs his options with a unique and strong voice as he searches for the value of commitment in a hookup culture.Pub Date: Jan. 16, 2014
ISBN: 978-1495242212
Page Count: 242
Publisher: CreateSpace
Review Posted Online: May 28, 2015
Kirkus Reviews Issue: July 1, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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