Not all will find Joseph’s politics compelling, but readers will draw inspiration from his story of struggle and...
Joseph (Tupac Shakur Legacy, 2006) offers an inspiring, unapologetic account of his transformation from armed revolutionary to revolutionary artist.
In the late 1960s, the young, gifted author was inevitably drawn to the Black Panthers. Amid the dangerous life in the Bronx ghetto, he writes, “nobody was badder than the Panthers.” Their usual apparel—black berets, black leather jackets and guns—portrayed a romantic image of a group serious about revolution during a time under “a revolutionary magic spell where anything seemed possible and victory over the oppressor was assured.” Soon the Panthers became Joseph’s whole life. Beyond the image, he learned, they were a group of men and women thoughtful in their ideology and dedicated to serving the community through schools and breakfast programs. Internecine power struggles, fueled by government infiltration and violence, broke the Panthers apart, however, and Joseph found himself going underground and finally to prison. He remained there for the next 20 years or so, a man-child coming of age behind bars. In prison, he discovered art and began to write poetry and plays, and he formed a theater group of prisoners who performed his plays about the life around them. Quickly becoming an established artist and drawn to academia, Joseph used these credentials to help found Harlem’s IMPACT Repertory Theatre, where thousands of young people experience music, drama, dance and film. Improbably, this led Joseph—and, he insists, IMPACT—to an Academy Award nomination for Best Song. Though the author’s commitment to revolutionary ends remained intact, the means to that end had changed.
Not all will find Joseph’s politics compelling, but readers will draw inspiration from his story of struggle and transformation.Pub Date: Feb. 7, 2012
ISBN: 978-1-56512-950-4
Page Count: 272
Publisher: Algonquin
Review Posted Online: Nov. 5, 2011
Kirkus Reviews Issue: Nov. 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
