Brady, aside from his recent bitter, despairing novel, The Marines of Autumn (p. 493), feeds off glitterati in the Hamptons (The House That Ate the Hamptons, 1999). Here, who should pop up but divorced Dick and Nicole Driver (the Trumps?), Martha Stewart, George Plimpton, Patricia Duff, Ron Perelman, and those little Christmas elves, the Spielberg kids. Leads are Brady's usual world-weary journalist Beecher Stowe IV, his father the Admiral, and Beecher’s beloved sexy mistress, Lady Alix Dunraven. The Drivers’ gadabout ten-year-old daughter hops a Concorde from France in search of an ideal Hampton Christmas as Martha Stewart’s unexpected guest. A tale-spinner, her story is that her parents fell when a Peruvian bridge crashed onto jagged rocks. How is she tied to the Hamptons’ late, infamous Jacob Marley, who made her an heiress with Microsoft stocks? What's her real story and real name? Will Beecher, the Admiral, and Alix solve the mystery? Upgraded Nancy Drew, faintly tart under a huge topping of meringue, just the dish for Brady’s fans.
Pub Date: Nov. 1, 2000
ISBN: 0-312-26604-9
Page Count: 210
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
As Jessie Burlingame lies handcuffed to her bed in Gerald's Game (p. 487), she recalls how, on the clay 30 years ago that her dad molested her, she had a vision of a woman—a murderer?—at a well King explains that vision here: Dolores Claiborne is the woman, and her story of how she killed her husband, and the consequences, proves a seductively suspenseful, if quieter, complement to Jessie's shriek-lest of a tale. The garotte-tight Gerald's Game is one of King's most stylish novels, and the Maine author flexes more stylistic muscle here, having feisty Dolores tell her tale in a nonstop monologue, rich in Down East dialect, that steadily gathers force. Dolores, 65, is speaking to Andy Bissette, sheriff of the island offshore Maine where she's lived her life, most of it as housekeeper for Vera Donovan, a wealthy "bitch." We soon learn that Dolores has a confession to make—in her own sweet time ("I feel a draft in here, Andy. Might go away if you shutcha goddamn trap"). Amidst details—often crudely funny—of her power-plays with Vera, and of her early life, we learn how, years back, Dolores's rotten husband began molesting their teenaged daughter, then stole her college funds. Dolores's retribution—the killing—forms the story's centerpiece, and, taking place on the same day that Jessie's dad molested her, forges the psychic bond—neither elaborated on nor explained—between the two women. It's Dolores's final years with Vera, though, and the bitter manner of Vera's death, that have brought Dolores to the sheriff—and that ultimately transform this, like Gerald's Game, into a devastating tale of heroism in the face of life's suffering. Without the flash and twisted fun of Gerald's Game, this may not sell as well (despite a 1.5 million first printing); but Dolores is a brilliantly realized character, and her struggles will hook readers inexorably.
Pub Date: Dec. 7, 1992
ISBN: 0451177096
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Picoult’s strengths are evident in her exhaustively researched and gut-wrenching demonstration of OI’s devastating effects...
In another issue-driven novel, Picoult (Change of Heart, 2008, etc.) explores the impact of “wrongful birth” litigation on an ordinary New Hampshire family.
Charlotte O’Keefe, a prominent pastry chef, was thrilled when she conceived at age 38 without resorting to fertility treatments. Although she has a daughter, Amelia, by a previous relationship, she and her new husband, police officer Sean, wanted a child of their own. Charlotte’s best friend Piper unwisely agrees to be her OB-GYN. Eighteen weeks into the pregnancy, during a routine ultrasound, Piper, looking for signs of possible Down syndrome, discounts the import of the fetus’s unusually transparent cranium. At 27 weeks, another ultrasound reveals that Charlotte’s daughter has sustained several fractures in utero, a sign that she suffers from osteogenesis imperfecta (OI), a rare congenital defect that causes brittle bones and severe complications (including scoliosis, respiratory problems and years of costly orthopedic interventions). Now age six, Willow, still toddler-sized, cannot walk, play or even turn over in bed without risking a compound fracture. Charlotte abandoned her career to care for Willow 24/7. Although Willow is precocious intellectually and for the most part a joy to be around, her illness is, inarguably, a drain on family finances and emotions. After a vacation at Disney World goes horribly awry, the O’Keefes spiral apart. Charlotte decides to file a wrongful-birth lawsuit against Piper. The proceeds from the lawsuit, she rationalizes, would provide the quality of lifetime care Willow needs, even if suing amounts to betrayal. Sean is appalled by the implications of the lawsuit: that Willow should never have been born, and that Charlotte, if properly cautioned, would have contemplated abortion. Amelia, once a normal teen, becomes a bulimic, self-mutilating shoplifter.
Picoult’s strengths are evident in her exhaustively researched and gut-wrenching demonstration of OI’s devastating effects and the impact of a child’s disability on a sibling. However, too often characterization takes a back seat to polemic. Worse, the central moral quandary is undermined by an overly pat resolution.Pub Date: March 3, 2009
ISBN: 978-0-7432-9641-0
Page Count: 480
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
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