Shapely, an absolute natural for film.
Brady returns to his beloved Corps (the memoir The Coldest War, 1990) to write his second Marine Corps novel (The Marines of Autumn, 2000).
Here, Brady retells the traditional story of “Billy Port’s Ride”—an epic about US Marines stationed as sentinels in chaotic North China. No authority, in the States, Mongolia, Japan, or Moscow, however, will admit that Billy Port’s ride ever took place. By 1941, four years into the Sino-Japanese War, the treaty cities of Shanghai, Canton, Peking, Tsingtao, and other places flourish, with black Chicago musicians playing swing at Jimmy’s Place in Shanghai, despite Japanese occupation. For ten years, Marines have defended US business interests, doctors, missionaries, nurses, and teachers. Brady is right at home with the tony set at the clubs and on the tennis courts and quickly draws us into China’s wartime atmosphere. Born to Boston Back Bay wealth, Port chose Annapolis over Harvard, then the Marines, was written up for the Medal of Honor for killing Sandinistas in Nicaragua, became known as a blooded killer and barfighter. Port is ordered to move his troops out on a hired tramp steamer; instead he heads an armed convoy (and his Bentley) toward the Great Wall and the Gobi Desert, where he faces “bandits and warlords, Mongol separatists, food riots and fuel shortages, Chiang and the Reds fighting each other, [and] the Japs fighting both. . . .” On the road they hear of Pearl Harbor, know they are at war, see Zeroes flying over them and know that 50 miles of rough country lie ahead. Passing through the Great Wall allows Brady to drum up a wonderfully amusing scene as Port, smiling and saluting with his Navy sword, beheads a bandit general who demands a machine gun as tribute. And then it’s into the frigid Gobi and a trek to the Russian border. After many hurdles, they reach the border and, fatally for Port, the KGB.
Shapely, an absolute natural for film.Pub Date: April 10, 2002
ISBN: 0-312-28018-1
Page Count: 352
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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