by James Comey ‧ RELEASE DATE: April 17, 2018
A modest, soft-spoken book that is sure to enrage its chief subject.
Former FBI director Comey, much in the news, reviews his career and speaks his mind about his dismissal.
“I fully intended to serve as director of the FBI through the year 2023,” writes Comey, that year being when his 10-year term, begun under Barack Obama, expired. “What, I wondered, could possibly interfere with that?” The “what” was Donald Trump, who, under investigation for various improprieties committed during his campaign and perhaps after, demanded personal loyalty of Comey and did not receive the required affirmative reply. “Holy crap, they are trying to make each of us an ‘amica nostra’—friend of ours,” he writes, adverting to time he spent pursuing Mafia figures as a federal prosecutor in New York. As has been well-reported, the author weighs Trump and his colleagues and finds them wanting in every way: “this president is unethical,” he charges, “and untethered to truth and institutional values.” That president, he adds with a touch of informed speculation, is also bound for greater legal troubles than he has faced thus far. Comey looks back on a long career marked by such signature moments as his uncovering Dick Cheney associate Scooter Libby as the person who leaked the identity of CIA agent Valerie Plame, a matter over which he came under considerable pressure to back off the case, one of the many “exhausting lessons in the importance of institutional loyalty over expediency and politics” that he would learn in service to three administrations. Along the way, aside from a couple of personal digs at Trump’s clothing style and hand size, Comey serves up some well-observed remarks on the qualities of a successful leader, including humor, “accurate feedback” and pushing for improvement, especially self-improvement—again, all matters in which the current occupant of the White House falls short. Not all the book will be convincing, especially to supporters of Trump’s opponent, whose campaign suffered a tremendous blow when Comey announced that she, too, was under investigation.
A modest, soft-spoken book that is sure to enrage its chief subject.Pub Date: April 17, 2018
ISBN: 978-1-250-19245-5
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: April 23, 2018
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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PROFILES
SEEN & HEARD
SEEN & HEARD
by Amos Oz & translated by Nicholas de Lange ‧ RELEASE DATE: Nov. 15, 2004
A boon for admirers of Oz’s work and contemporary Israeli literature in general.
A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.
“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.
A boon for admirers of Oz’s work and contemporary Israeli literature in general.Pub Date: Nov. 15, 2004
ISBN: 0-15-100878-7
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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