Barely enough plot here for a short story, but Doss (Grandmother Spider, 2001, etc.) shows his mastery in the wry dialogue...
To underwrite the cost of a herd of Holsteins, Ute tribal policeman-turned-rancher Charlie Moon hires on as a private investigator looking into special projects for the reservation—a job that puts him on Ghost Wolf Mesa when a little Zuni girl finds an ancient petroglyph. Prof. Axton and Dr. Perkins, rival experts, differ over its meaning, and archaeologist Amanda Silk disagrees with them both, insisting the pictogram, apparently of anasazi vintage, is a recent fake. Still, somebody believes it holds the secret to ancient treasure, and after whip-smart student April Tavishuts explores it one midnight, she’s dead by morning—and the young Ute’s Navajo stepfather, Alvah Yazzi, appears to be a case of spontaneous human combustion. Meanwhile, Charlie’s aunt Daisy is once more communing with her favorite pitukupf in the Canyon of the Spirits, leaving him hero-size sandwiches and a thermos full of coffee, then secretly scurrying over to Charlie’s ranch for unfathomable reasons. FBI agents George and Stanley, along with Charlie’s best pal, white cop Scott Parris, are busy going in circles while Daisy utters dire predictions, four-legged critters pop up everywhere, and Charlie is knocked senseless. When he comes to, there’s been another death, his sometime girlfriend has ditched him, the petroglyph’s secrets are revealed—and his Holsteins have arrived.
Barely enough plot here for a short story, but Doss (Grandmother Spider, 2001, etc.) shows his mastery in the wry dialogue and in Aunt Daisy, the most irascible shaman in the Southwest.Pub Date: Jan. 1, 2001
ISBN: 0-06-019932-6
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.
Happy birthday, Dr. Kay Scarpetta. But no Florida vacation for you and your husband, FBI profiler Benton Wesley—not because President Barack Obama is visiting Cambridge, but because a deranged sniper has come to town.
Shortly after everyone’s favorite forensic pathologist (Dust, 2013, etc.) receives a sinister email from a correspondent dubbed Copperhead, she goes outside to find seven pennies—all polished, all turned heads-up, all dated 1981—on her garden wall. Clearly there’s trouble afoot, though she’s not sure what form it will take until five minutes later, when a call from her old friend and former employee Pete Marino, now a detective with the Cambridge Police, summons her to the scene of a shooting. Jamal Nari was a high school music teacher who became a minor celebrity when his name was mistakenly placed on a terrorist watch list; he claimed government persecution, and he ended up having a beer with the president. Now he’s in the news for quite a different reason. Bizarrely, the first tweets announcing his death seem to have preceded it by 45 minutes. And Leo Gantz, a student at Nari’s school, has confessed to his murder, even though he couldn’t possibly have done it. But these complications are only the prelude to a banquet of homicide past and present, as Scarpetta and Marino realize when they link Nari’s murder to a series of killings in New Jersey. For a while, the peripheral presence of the president makes you wonder if this will be the case that finally takes the primary focus off the investigator’s private life. But most of the characters are members of Scarpetta’s entourage, the main conflicts involve infighting among the regulars, and the killer turns out to be a familiar nemesis Scarpetta thought she’d left for dead several installments back. As if.
Pub Date: Nov. 11, 2014
ISBN: 978-0-06-232534-1
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK TO SCREEN
Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for...
What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.
With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle’s lead to become a Texas Ranger. “What is it about that damn badge?” his estranged wife, Lisa, asks. “It was never intended for you.” Darren often wonders if she’s right but nonetheless finds his badge useful “for working homicides with a racial element—murders with a particularly ugly taint.” The East Texas town of Lark is small enough to drive through “in the time it [takes] to sneeze,” but it’s big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he’d stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town’s white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer’s moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state’s musical and social history, the more he begins to distrust his professional—and personal—instincts.
Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.Pub Date: Sept. 12, 2017
ISBN: 978-0-316-36329-7
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
PERSPECTIVES
PERSPECTIVES
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