In Dickey's first novel since Deliverance (1970), Frank Cahill, who owns and runs a public swimming pool in Atlanta before WW II, goes blind from a raging case of diabetes. The insult is great, but greater still is news of the death of his son Joel (a child Cahill never knew) in an Air Corps training crash. So Cahill journeys with his dog Zack to the Air Corps base in North Carolina, where he's welcomed at first as an object of pity. But not for long: Cahill begins in his sightless way to delve, through heard voices and by way of phrasings alone, into the mystery of Joel's death. Joel, it turns out, was chief magus in a corpsmen-cult called Alnilam, a mixture of astrology, the Aprocrypha, Nietzsche, etc.—and Dickey strives mightily to fix this arcane canopy (not unreminiscent, incidentally, of one of Dickey's own more shaky longer poems, on the Zodiac) over this 683-page novel. But it doesn't come to much—and what perhaps would have held interesting immediacy as a short story turns into a force-fed ordeal of reiterated good-old-boy common sense and highfalutin metaphor. And device: for Cahill's blind-seeker thoughts are, in most scenes, set apart in bold type to one side of the page, while the sighted (and usually dullard) reality is to the other side of the page. The Cahill bold-type—sense-information mostly—runs to the molten flab of Dickey's poetry at its worst ("Which girl is still in the circle where all others are gone? Which face outlasted the death ball? She came at him as through the eye of a lock. His chest was the sound of a coring-drill; in his belly, it massed with the unbroken sullenness of organ music"), and the result overall—rather ping-ponging and eye-crossing—is one less of reward than of a long and wearying confusion.
Pub Date: June 5, 1987
ISBN: 1558170863
Page Count: 770
Publisher: Doubleday
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: May 15, 1987
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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