Rich in research, provocative in conception and nettlesome to both the right and the left.
McWilliams (History/Texas State Univ.; A Revolution in Eating: How the Quest for Food Shaped America, 2005, etc.) argues for moderation and compromise in today’s raging food fights.
Until recently, the author was a locavore—one who eats locally produced food. Though he still believes that it is a dietary commitment with many virtues, he argues that it’s also a feeble, ineffective way to feed the world’s hungry billions. He claims he has no political axe to grind, but he begins with a caricature of the locavores, taking some gratuitous shots at Michael Pollan and Wendell Berry—though he does favorably quote the former later on. Once he’s blown away his straw men, McWilliams presents some appealing alternatives to the views of both the agrarian romantics on the left and the agribusiness capitalists on the right. He says that we’ve exaggerated the importance of the concept of “food miles” (how far—and how expensively—food travels from farm to fork), and he declares that “organic” is appealing and preferable, but wonders how long the earth could accommodate a process that, because of its lower yields, requires more land. The author advocates a judicious use of genetically engineered seeds and food products, believes we must reduce our passion for land-animal protein—it requires far too many resources to produce and pollutes the air, land and water—and urges more attention to the nascent science of aquaponics (fish and plant life grown together in symbiotic cycles). McWilliams then examines political and trade issues and offers more “rational subsidy suggestions”—including government support for crop diversity, aquaponics and seed drilling. He concludes that the best food-production model may be “a broad pattern of regionally integrated, technologically advanced, middle-sized farms.”
Rich in research, provocative in conception and nettlesome to both the right and the left.Pub Date: Aug. 26, 2009
ISBN: 978-0-316-03374-9
Page Count: 272
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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