A formally inventive yet emotionally engaging work of fiction.
A Canadian man experiences a crisis while visiting a series of international zoos.
“Is there a difference between dreams and waking life?” wonders Samuel Emmer, the narrator of Elkins’ novel, an expert in protozoa who works in water management for the city of Guelph. “In both, things happen slowly while we watch.” It’s an apt description of this mammoth, formally inventive novel which encompasses text, photographs, diagrams, tables, and sheet music. Over the course of the novel—in which Emmer, who's been volunteered for his city's Zoo Feasibility Committee, travels around the world visiting a series of zoos—the presence of these highly regimented, eminently logical documents begins to make sense. Even as the documents offer reassuring certainty, Emmer’s own grasp on the world is slipping away. The opening scene finds him thinking back on his relationship with his now-college-age child. Emmer is feeling unmoored by life both personally and professionally, and thinks, “When you lose your place in the world, you suddenly wake up, as if your normal life had been a dream.” Soon, Emmer’s waking life alternates with a series of unsettling dreams, some of which hearken back to the landscape of his youth. A note from his interns in which they detail their observation of obsessive traits in him—what Emmer terms “some of the same tics and traits as animals or meth addicts”—sends his behavior in more extreme directions, including lying in a professional context and egging on a child pretending to shoot zoo animals. The novel’s final section, which takes on a very different form from what’s come before, puts much of what we’ve read in a new context, and conveys a powerful sense of loss.
A formally inventive yet emotionally engaging work of fiction.Pub Date: Nov. 14, 2023
ISBN: 9781951213725
Page Count: 604
Publisher: Unnamed Press
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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