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IDLEWILD

Equal parts funny and insightful, this is a propulsive exploration of gender identity, sexuality, and self-discovery.

Two teenagers wrestle with friendship and attraction at a New York City private school in this hilarious and sexy debut.

In the early 2000s, Nell and Fay are best friends at Idlewild, a private Quaker school in lower Manhattan. Nell “is good at numbers and homework,” while Fay “is good at having big tits and being the boss.” Together they form the “F&N unit,” and for most of senior year, they move through the school with a sense of urgent inseparability. Under the surface, though, are unspoken tensions—like the fact that shy, sincere Nell has a massive crush on brash, confident Fay. Whereas Nell is out, Fay’s sexuality remains mysterious and elusive. In class, Fay is known for passionately arguing that literature from The Great Gatsby to Othello is full of “HoYay,” an internet term meaning “Homoeroticism: Yay!” Fay’s fantasies about gayness, what qualities attract and excite her, are explored with subtlety, precision, and originality, even as they are likely to feel relatable to many readers. While in the process of naming her desires, Fay’s vacillation between frustration and exhilaration is movingly conjured on the page. Everything changes when Fay and Nell befriend two sophomore boys: the enigmatic, erratic Theo and his puppy-doggish friend and roommate, Christopher. At first, Fay is fascinated by the boys’ friendship, living arrangement, and possible sexual chemistry—but soon, Fay’s interest shifts specifically to Theo, who seems to understand parts of Fay that no one else has. Narrated in turns by the adult Nell and Fay, looking back at their Idlewild years, and the royal “we” of the F&N unit in 2002, the novel bursts with voice, skillfully conjuring both the easy banter of best friends on AIM and the ruminating uncertainty of adolescence.

Equal parts funny and insightful, this is a propulsive exploration of gender identity, sexuality, and self-discovery.

Pub Date: Sept. 12, 2023

ISBN: 9781419769146

Page Count: 400

Publisher: Overlook

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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