The multilayered case gets so crazy that it may provide escapist solace after all.


Want a break from the ruthless 24/7 cycle of political ups and downs? Stay miles away from this latest case for Miami attorney Jack Swyteck (The Girl in the Glass Box, 2019, etc.), ripped not so much from the headlines as from your deepest electoral nightmares.

Despite the manifest character blemishes—blustering, lying, uncontrollable adulteries, and tweetstorms that nearly got him impeached—President Malcolm MacLeod seems headed to a narrow victory over Florida Sen. Evan Stahl Jr., whose ratings took a nose dive when his refusal to identify the party with whom he’d cheated on his now-estranged wife, Gwen, of the Florida Department of Law Enforcement, led to widespread speculation, eagerly fed by MacLeod, that his lover was (gasp!) another man. Stahl’s only path to the presidency is the hope that five members of the Electoral College will break ranks and cast their votes for Stahl, who won 5 million more votes than MacLeod despite losing the Electoral College. And at least one elector is ready to turn faithless: Charlotte Holmes, the associate and hand-picked successor to gun rights lobbyist Madeline Chisel. Will her principled defection start a groundswell? Not if MacLeod loyalist Paulette Barrow, the Florida attorney general, has anything to say about it. Barrow promptly files a suit against Charlotte as “unfit” so that the Republican governor, Terry Mulvane, can replace her with a reliable loyalist. Seeking Jack’s legal representation with the perfect come-on—electoral law expert Matthew Kipner “specifically told me not to hire you”—Charlotte stiffens her spine and prepares for weeks of public abuse. What she doesn’t prepare for is the wholly unexpected but obligatory trial for murder that simultaneously deepens her peril, confirms this headlong legal thriller’s genre credentials, and ensures that no one will mistake it for real life. The complications that follow are expertly spun, and the courtroom maneuvers on both sides are impressively baroque, but the gorgeous Electoral College premise marks the beginning of a wild ride that runs off the rails long before the fade-out.

The multilayered case gets so crazy that it may provide escapist solace after all.

Pub Date: Feb. 25, 2020

ISBN: 978-0-06-291504-7

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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