Next book

Salt & Pepper Cooking

THE EDUCATION OF AN AMERICAN CHEF

Flavorful serving of hilarious, poignant memories that will leave readers wanting seconds.

With these funny stories, an award-winning chef reflects on the formative roles of food, family, and friendship in his life.

Former executive chef and owner of Portsmouth, New Hampshire’s Blue Strawberry restaurant, Haller (Vie de France, 2002, etc.) grew up during the Depression, a poor kid in a Chicago suburb. His working-class extended family and Old World neighborhoods inspired a fascination with eclectic food combinations. Whether watching his Grandma Hazel dispatch a barnyard chicken by spinning it overhead “like David with his sling” or splashing “a little Benedictine Brandy on fried eggs after I heard Betty Grable order eggs benedict between dance numbers,” it’s clear that his insatiable curiosity about food began early. A young Italian girl, Louisa, became Haller’s childhood friend and introduced him to cannoli, which easily eclipsed his grandmother’s tapioca and butterscotch puddings. Growing up with many rural relatives, Haller paints a vivid picture of a bygone era with recollections of dinners fit for farmhands and the “womenfolk” preparing massive harvest feasts. His financially strapped, city-dwelling parents had more pedestrian palates, favoring “hot dog and beans…hamburgers, meat loaf, sloppy Joe’s…creamed chip beef on toast…or my mother’s tuna casserole.” His mother’s long hours waitressing required young Haller to prepare family meals, spurring a lifetime of culinary adventurousness, as he dished up string beans with pumpkin pie spices and lime and grape Kool-Aid baked into angel food cake for unwitting loved ones. Wit à la Ruth Reichl in Tender at the Bone (1998) invigorates these anecdotes throughout. Haller left for New York to make it as a writer and actor, often waiting tables to get by and eventually opening the Blue Strawberry in New Hampshire with some enterprising pals. Character sketches of family and friends here are as keenly observed and beautifully depicted as the food—the author’s self-effacing humor a fantastic leavening agent.  

Flavorful serving of hilarious, poignant memories that will leave readers wanting seconds.

Pub Date: Nov. 15, 2015

ISBN: 978-938394-17-1

Page Count: 118

Publisher: Great Life Press

Review Posted Online: July 28, 2015

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview