Heneghan (The Grave, 2000, etc.) tells an engaging and optimistic tale of loss, recovery, and a little bit of magic. When weeks of rain cause the rivers and creeks of North Vancouver to sweep away bridges, roads, and houses, Andy Flynn escapes the fate of his drowned mother and stepfather thanks to the help of the Sheehogues, a.k.a. the Little People. When stern Aunt Mona arrives to take Andy to live with her in Halifax, she reveals that his father, whom Andy had believed dead, is in fact alive. The bad news is that she portrays him as a bum who drinks and gambles when he is not in jail. Upon arriving in Halifax, Andy runs away from Mona and finds his father, a charmer with a gift for storytelling who is every bit as Aunt Mona had described. Andy clings to the belief that his father will shape up, find a job, and provide the sort of stable life to which Andy is accustomed. Under the watchful eyes of the Sheehogues, who also make the trip to Halifax (they go by plane, finding Air Canada quicker than the traditional faerie method of travel), Andy learns to love his flawed father without expecting too much of him and to appreciate his well-meaning and generous Aunt Mona. The Sheehogues play a minor role in the story, appearing only in brief addenda to each chapter, much in the way that they remain an unseen but invaluable help to Andy. (Fiction. 11-14)
Pub Date: March 25, 2002
ISBN: 0-374-35057-4
Page Count: 192
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2002
A young man who unwittingly helps a punk steal an elderly couple’s television in the first story sets the somewhat uneasy tone for this collection. While glimpses of Soto’s characteristic humor and charm appear in later stories, many of these tales focus on less-than-comfortable events and experiences. There’s a girl whose tattooed and pierced babysitter dyes her younger brother’s hair orange and green, a fact sure to enrage their mom when she eventually finds out; a child who is achingly aware of the enmity of anti-war protesters and simultaneously proud of her immigrant parents’ efforts to improve their lives; and a sad young boy whose painfully polite parents have frozen him out of the family without apparently meaning to do so. Each situation is distinct, clearly drawn and immediate. Soto presents his characters with sometimes insurmountable challenges, but he limns their lives with such vivid descriptions and insights that readers will be left wondering how things work out—and wishing for the best. (Fiction. 11-14)
Pub Date: May 1, 2008
ISBN: 978-0-15-206181-4
Page Count: 192
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
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