A humorous but unbalanced novel whose focus on cultural commentary comes at the expense of characterization.
Hooker presents a comic novel about a city slicker embracing the quirks of Southern living.
The unnamed narrator is introduced hungover “in the fog of alcohol and sleep,” in a Japanese hotel room. It’s 2002, and he’s on his final business trip as the vice president of global sales for a Silicon Valley telecommunications company. Business has been booming, but after a recent acquisition, his role is no longer relevant, so he decided to quit before getting fired. His girlfriend, an engineer at the same company, also resigned, and they’ve found a charming town called Treasure Island on the coast of North Carolina, where they hope to settle into a simpler life together. Early scenes depicting the couple’s initial reactions to the island and its locals offer amusing moments of culture shock, as when they encounter a butcher who smokes while slicing meat or chat with another local who tells them that most islanders “don’t know how to deal with strange things….That means you two.” Discussions of local cuisine, fishing culture, and extended definitions of “rednecks” and “good ol’ boys” add some appealing color. The narrator, six months into his stay, reflects, “I never tired of listening to groups of islanders—especially men—talk. I found their curious tribal blend of bravado, spite and good ol’ hardheadedness often interesting, sometimes comical, but always worth a listen.” Readers, however, may feel differently. Despite flashes of humor and insight, the narrative lacks significant conflict or forward momentum for much of its first half. The author also pays little attention to the interiority of either the narrator or his girlfriend. The book includes mentions of feeling adrift and a few observations about being an outsider in a strange new locale, but such mentions are quickly swept aside in favor of more comparisons of California vs. North Carolina lifestyles. The result is a bit of a mixed bag: Although the book has its humorous moments and some insightful commentary on Southern life, its sketchy plot and character development may leave readers wishing for a more cohesive story.
A humorous but unbalanced novel whose focus on cultural commentary comes at the expense of characterization.Pub Date: Sept. 28, 2023
ISBN: 9798889251668
Page Count: 216
Publisher: Dorrance Publishing Co.
Review Posted Online: March 26, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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