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OTTER AND ODDER

A LOVE STORY

Ever-changing watercolor washes and primordial shapes depict a wondrous, liquid world in which the star-crossed lovers learn...

The love between a fish and an otter is given the thoughtful treatment such an unexpected attraction deserves.

The homophonous title arouses curiosity while intimating troubled waters. Although it is love at first sight in the opening spread, the central conflict—that fish fall beneath otters in the food chain—is present as well. Howe explores the pleasure and pain of loving someone who is different from one’s self in a manner that is both sophisticated and accessible to children. His rhapsodic language recalls William Steig’s in The Amazing Bone (1976). Myrtle (really Gurgle, the fish) ponders “…the stirrings of her own / heart— / her own tremulous / fish-not-wishing-to-be-dinner / heart— / awakened to… / not only love but a future / she could never have imagined.” The author builds suspense and credibility by twice speculating on the outcome. He first imagines what would happen “in a perfect world,” then “in a tragic tale.” Ultimately, Beaver’s wisdom helps Otter overcome his instincts and the gossipers’ ill will (a reality magnified by their tightly-knit circle, viewed from below). Raschka’s childlike renderings of creatures in thick, penciled outlines create the innocence, mirror the hope and provide the universality that contributes to the title’s ascent above its purely message-driven counterparts.

Ever-changing watercolor washes and primordial shapes depict a wondrous, liquid world in which the star-crossed lovers learn to trust their hearts. (Picture book. 5-9)

Pub Date: Oct. 1, 2012

ISBN: 978-0-7636-4174-0

Page Count: 40

Publisher: Candlewick

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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