A studied look at the deadly challenges facing Indigenous people in 18th-century America.
Humphrey’s historical novel observes life from the Cherokee perspective.
The year is 1780. Enoli, a Cherokee of the Paint Clan, lives in a region that will become modern-day Georgia. He’s only 10 years old when his mother dies from smallpox, a disease that spreads quickly and against which traditional healing methods seem to have little effect. Enoli finds that he has a calling to be a healer; he can also communicate with a squirrel named Saloli. Making an enemy of the shaman Mohi, who attended to his mother in her final days, he comes under the tutelage of a more capable healer named Son of Stone Cloud. Enoli enters a five-year apprenticeship with Son of Stone Cloud, who teaches Enoli (who will later be called Dideyohvsgi once his apprenticeship is completed) a rudimentary type of inoculation against smallpox. Disease is not the only challenge the Cherokee and other native people face; they also face constant conflict with settlers who keep pushing westward. Despite peace agreements such as the Treaty of Hopewell, the violence is immense. The narrative moves briskly while establishing the tinderbox that is Enoli’s environment. Those who seek peace with the settlers wind up betrayed; those who seek war wind up killing innocent people and perpetuating more violence. The mixture of differing personalities and opinions on the Cherokee side helps to paint a nuanced picture. Straightforward prose moves the story along, but the characters tend to speak in simple dialogue that can make distinguishing one character from another difficult. (They tend to say plain things like “What do you think they’re doing?” and “What a disappointment!”) Nevertheless, the story keeps readers invested; the time and place depicted in the story is dangerous for all involved.
A studied look at the deadly challenges facing Indigenous people in 18th-century America.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: March 26, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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