WHISTLE

A truly gratifying recovery of Jones' reputation after a long slump since the holding action of The Thin Red Line (1962). Whistle was conceived almost 30 years ago as the capstone of his WW II trilogy begun with From Here to Eternity (1951). The last few pages were dictated from his deathbed last May. Readers will miss the final effects that polish would have brought to these pages, but the story is finished—masterfully finished, with the authority of a clanging manhole cover grinding into place. Once more we are with Eternity's Pvt. Robert E. Lee Prewitt, 1st Sgt. Warden, and Mess Sgt. Stark, who were renamed Witt, Welsh, and Storm for The Thin Red Line, and here become Bobbie Prell, Mart Winch, and John Strange, survivors of Guadalcanal. We follow these three—plus nonRA Sgt. Marion Landers—as their hospital ship arrives at Golden Gate, through their pain-laden trainride from California to Luxor, Tennessee, their hospital ordeals in which hero Prell refuses to give permission to amputate his unhealing legs; we follow the fatherly acts of Top Sgt. Winch (who is dying of congestive heart failure), the carnival of sex and booze in fancy hotels, the men's reassignment back to regular duty—and their final Stateside horrors. If the Prell/Winch/Strange trio represents the spirit of the Regular Army, here that spirit crumbles, goes tragically berserk as the men tear apart from within. They are not victims. Like the knights of the roundtable, they are part of the ritual crucifixion of an outworn fellowship, an idealism bastardized by draftees and mere timeservers. This is at its best an almost mystical book in which the inner psychology of soldiering is much like that of the doom-driven warriors of Homer who hear the gods whistling up their spines—and Jones' dense, long-lined prose has never been more Homeric. Those who have found him crude and verbose in the past will probably not change their minds over Whistle. But admirers of Eternity and Thin Red Line will find him striving to draw the last sparks and puffs from his great single subject—manhood tested by combat—and will feel that he succeeds decisively enough to make this the last third of the great American WW II novel.

Pub Date: March 1, 1978

ISBN: 1453218491

Page Count: 516

Publisher: Delacorte

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: March 1, 1978

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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