Not the best installment in this much-honored franchise, but the one that best explains its incantatory power.
Burke wraps up the trilogy begun in Robicheaux (2018) and continued in The New Iberia Blues (2019) by taking a giant step into the past—actually, a Chinese box of criminal pasts.
“In the days before 9/11,” Detective Dave Robicheaux is working for the New Iberia Sheriff’s Department. As usual, the felonies officially reported to the department represent only a fraction of his Louisiana parish’s seething passions. When Isolde Balangie, seeing Dave at an amusement pier where heartthrob singer Johnny Shondell is singing, tells him that Johnny is delivering her to his uncle Mark and that she thinks all the Shondells should be killed because the family burned her ancestor at the stake 400 years ago, Dave makes a noncommittal response and quickly regrets it. Whether or not he plans to keep Isolde as his personal plaything, wealthy Mark Shondell clearly has a finger in any number of unsavory pies, and during a semiofficial visit to his home, Dave ends up beating the tar out of him. His fury doesn’t seem to put off his old friend Clete Purcel, a private eye with an even shorter fuse, or Isolde’s mother, Penelope, who, whether or not she’s really Mark’s wife, keeps throwing Dave smoldering looks he returns with interest. The discovery of the dismembered corpses of two minions Shondell’s hired to follow Dave is only the first sign of the advent of Gideon Richetti, a time-traveling “revelator” whose deadly tango with Dave and Clete serves as the portal to a troubled past extending far before 9/11. Whether or not you buy the metaphor of reincarnation here, it goes a long way toward explaining the thread that links Dave’s 23 grandly repetitive adventures.
Not the best installment in this much-honored franchise, but the one that best explains its incantatory power.Pub Date: Aug. 11, 2020
ISBN: 978-1-982151-68-3
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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