Not the best installment in this much-honored franchise, but the one that best explains its incantatory power.
Burke wraps up the trilogy begun in Robicheaux (2018) and continued in The New Iberia Blues (2019) by taking a giant step into the past—actually, a Chinese box of criminal pasts.
“In the days before 9/11,” Detective Dave Robicheaux is working for the New Iberia Sheriff’s Department. As usual, the felonies officially reported to the department represent only a fraction of his Louisiana parish’s seething passions. When Isolde Balangie, seeing Dave at an amusement pier where heartthrob singer Johnny Shondell is singing, tells him that Johnny is delivering her to his uncle Mark and that she thinks all the Shondells should be killed because the family burned her ancestor at the stake 400 years ago, Dave makes a noncommittal response and quickly regrets it. Whether or not he plans to keep Isolde as his personal plaything, wealthy Mark Shondell clearly has a finger in any number of unsavory pies, and during a semiofficial visit to his home, Dave ends up beating the tar out of him. His fury doesn’t seem to put off his old friend Clete Purcel, a private eye with an even shorter fuse, or Isolde’s mother, Penelope, who, whether or not she’s really Mark’s wife, keeps throwing Dave smoldering looks he returns with interest. The discovery of the dismembered corpses of two minions Shondell’s hired to follow Dave is only the first sign of the advent of Gideon Richetti, a time-traveling “revelator” whose deadly tango with Dave and Clete serves as the portal to a troubled past extending far before 9/11. Whether or not you buy the metaphor of reincarnation here, it goes a long way toward explaining the thread that links Dave’s 23 grandly repetitive adventures.
Not the best installment in this much-honored franchise, but the one that best explains its incantatory power.Pub Date: Aug. 11, 2020
ISBN: 978-1-982151-68-3
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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