A New Orleans homicide cop confronts arms-smugglers, the Mafia and his own private demons in this bloody, ripsnorting suspenser, the latest offering from Burke (The Convict, The Lost Get-Back Boogie). On a fishing trip in Gataouatche Parish, Lieutenant Dave Robicheaux discovers the floating body of a young black woman. The trail leads to Julio Segura, a Nicaraguan vice king in exile, who is funding the Contras with dope money, and has put out a contract on Dave's lite. Segura is soon blown away by Dave's partner—one of a series of violent spasms that fail to mask the lack of a storyline. The other hoods involved in the arms-smuggling force alcohol down Dave's throat and leave him to die in a burning car. He survives the fire nicely, but doesn't do so well with the police higher-ups, who suspend him without pay, figuring he's boozing again: Dave is an arrested alcoholic, with a tidied marriage and combat service in Vietnam behind him. What prevents his return to an alcoholic hell is Annie Ballard, the sweet, stand-by-your-man Kansas blonde he's collected along the way. Dave still has vigilante work to do, dispatching one of the hoods and (in a development unrelated to the arms-smuggling) taking on the local Mafia chief. But not to worry: invisible hands tidy away the hood's body, the remaining arms-smugglers are brought to justice, and Dave is reinstated. Burke stumbles away from the ramifications of his arms-smuggling story to concentrate on the odyssey of one cop, producing a wildly uneven work in which all that counts, ultimately, is the excitement of the kill (eight characters meet violent ends). But while there is much garish overwriting here, there are also some fine scenes that fairly crackle with menace.
Pub Date: March 27, 1987
ISBN: 0099689707
Page Count: -
Publisher: Henry Holt
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Feb. 15, 1987
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
