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JINGLE BELLS

A MAGICAL CUT-PAPER EDITION

Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult...

An exquisite interpretation of the ever popular Christmas song “Jingle Bells” is a companion piece to Puttapipat’s stellar edition of The Night Before Christmas (2007).

As in the previous volume, the elegant illustrations in ink and gouache have the look of old-fashioned silhouettes, with sharp, black details highlighted against snowy-white backgrounds. The setting for the song follows a couple dressed in Victorian clothing as they travel home in their ornate sleigh loaded with a Christmas tree and a red sack of presents. The words to the song unfold across the bottoms of the pages in white type set against black backgrounds decorated with sprigs of holly. Two of the right-hand pages have an angled, cut-paper edge, one an intricately designed tree and the other the outline of roofs in a town. As these pages are turned, they become part of the design of the following pages. As intrigued children will likely want to keep flipping these back and forth, it’s a good thing the pages are exceptionally sturdy. The song concludes with a spectacular pop-up spread with white trees and buildings, townspeople in black silhouettes, and a central evergreen tree decorated for Christmas. In front is the couple in the one-horse sleigh, this time all in white. This pop-up scene is breathtakingly beautiful but also extremely delicate, making it a look-but-don’t-touch conclusion.

Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult reader to mesmerize a young audience. (Picture book. 3-adult)

Pub Date: Sept. 8, 2015

ISBN: 978-0-7636-7821-0

Page Count: 12

Publisher: Candlewick

Review Posted Online: Aug. 11, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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