by James Lord Pierpont ; illustrated by Niroot Puttapipat ‧ RELEASE DATE: Sept. 8, 2015
Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult...
An exquisite interpretation of the ever popular Christmas song “Jingle Bells” is a companion piece to Puttapipat’s stellar edition of The Night Before Christmas (2007).
As in the previous volume, the elegant illustrations in ink and gouache have the look of old-fashioned silhouettes, with sharp, black details highlighted against snowy-white backgrounds. The setting for the song follows a couple dressed in Victorian clothing as they travel home in their ornate sleigh loaded with a Christmas tree and a red sack of presents. The words to the song unfold across the bottoms of the pages in white type set against black backgrounds decorated with sprigs of holly. Two of the right-hand pages have an angled, cut-paper edge, one an intricately designed tree and the other the outline of roofs in a town. As these pages are turned, they become part of the design of the following pages. As intrigued children will likely want to keep flipping these back and forth, it’s a good thing the pages are exceptionally sturdy. The song concludes with a spectacular pop-up spread with white trees and buildings, townspeople in black silhouettes, and a central evergreen tree decorated for Christmas. In front is the couple in the one-horse sleigh, this time all in white. This pop-up scene is breathtakingly beautiful but also extremely delicate, making it a look-but-don’t-touch conclusion.
Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult reader to mesmerize a young audience. (Picture book. 3-adult)Pub Date: Sept. 8, 2015
ISBN: 978-0-7636-7821-0
Page Count: 12
Publisher: Candlewick
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by James Lord Pierpont ; illustrated by Pauline Siewert
by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2022
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience.
The How to Catch A… crew try for Comet.
Having already failed to nab a Halloween witch, the Easter Bunny, a turkey, a leprechaun, the Tooth Fairy, and over a dozen other iconic trophies in previous episodes of this bestselling series, one would think the racially diverse gaggle of children in Elkerton’s moonlit, wintry scenes would be flagging…but no, here they lay out snares ranging from a loop of garland to an igloo baited with reindeer moss to an enticing candy cane maze, all in hopes of snagging one of Santa’s reindeer while he’s busy delivering presents. Infused with pop culture–based Christmas cheer (“Now I’ve already seen the shelf with the elf”), Comet prances past the traps until it’s time to gather up the kids, most of whom look terrified, for a group snapshot with the other reindeer and then climb back into harness: “This was a great stop but a few million to go / Christmas Eve must continue with style!” Though festive, the verse feels trite and unlikely to entice youngsters. A sprinkling of “True Facts About Reindeer” (“They live in the tundra, where they have friends like the arctic bunny”) wrap up this celebration of the predatory spirit. (This book was reviewed digitally.)
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience. (Picture book. 5-7)Pub Date: Oct. 4, 2022
ISBN: 9781728276137
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 12, 2022
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by Alice Walstead ; illustrated by Andy Elkerton
BOOK REVIEW
by Alice Walstead ; illustrated by Andy Elkerton
BOOK REVIEW
by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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by Erin Guendelsberger ; illustrated by Suzie Mason
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