by James Lord Pierpont ; illustrated by Niroot Puttapipat ‧ RELEASE DATE: Sept. 8, 2015
Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult...
An exquisite interpretation of the ever popular Christmas song “Jingle Bells” is a companion piece to Puttapipat’s stellar edition of The Night Before Christmas (2007).
As in the previous volume, the elegant illustrations in ink and gouache have the look of old-fashioned silhouettes, with sharp, black details highlighted against snowy-white backgrounds. The setting for the song follows a couple dressed in Victorian clothing as they travel home in their ornate sleigh loaded with a Christmas tree and a red sack of presents. The words to the song unfold across the bottoms of the pages in white type set against black backgrounds decorated with sprigs of holly. Two of the right-hand pages have an angled, cut-paper edge, one an intricately designed tree and the other the outline of roofs in a town. As these pages are turned, they become part of the design of the following pages. As intrigued children will likely want to keep flipping these back and forth, it’s a good thing the pages are exceptionally sturdy. The song concludes with a spectacular pop-up spread with white trees and buildings, townspeople in black silhouettes, and a central evergreen tree decorated for Christmas. In front is the couple in the one-horse sleigh, this time all in white. This pop-up scene is breathtakingly beautiful but also extremely delicate, making it a look-but-don’t-touch conclusion.
Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult reader to mesmerize a young audience. (Picture book. 3-adult)Pub Date: Sept. 8, 2015
ISBN: 978-0-7636-7821-0
Page Count: 12
Publisher: Candlewick
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by James Lord Pierpont ; illustrated by Pauline Siewert
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
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by Adam Wallace ; illustrated by Christopher Nielsen
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kimberly Dean ; illustrated by James Dean
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by Joan Holub ; illustrated by James Dean
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