A creature feature that earns its suspense by rigorously developing its characters.
A vicious beast menaces residents of a Montana town in the 1990s in Smith’s (Silent Source, 2016) thriller.
Veterinarian Dieter Harmon has amassed few clients during his three months in the town of Colter, but his friend Molly Schoonover still calls him when rancher Josh Pendleton loses a llama to a possible wolf attack. Livestock kills in the area have recently spiked, but chief park ranger Jack Corey is hesitant to blame the deaths on wolves; he endorses the National Park Service’s plan, initiated two years ago, to re-establish the wolf population in Yellowstone. Later, Dieter stumbles upon the mutilated body of a hiker, and local cops suspect the vet as a possible murderer. Meanwhile, Molly witnesses something horrific while visiting local Joseph Vincent Loudermilk’s farm that gives her reason to fear for one of the women living there. After that woman runs away, Molly searches for her. At the same time, Dieter, Josh, and Amy Little Bear (the nanny to Dieter’s two kids and a pilot) set out to prove the existence of a killer wolf and, if necessary, track it down. Smith peppers his story with chilling scenes of a quick and tenacious animal on the loose. The human characters, meanwhile, are exhaustively developed as the story alternates between Dieter, Molly, and Jack, among others. There are hints of other mysteries (such as the unsolved murder of Dieter’s wife) as well as bits of comedy, as when Dieter and Josh’s plan to examine a cadaver at the funeral home predictably turns into a fiasco. Smith’s writing is full of evocative language, such as when a deadly assault lasts “a brief eternity” and a geyser’s steam vanishes in “spirit-like wisps.” Readers will easily deduce what exactly is killing people and livestock, but Smith wisely focuses on the urgent need to stop the beast rather than on a prolonged elucidation of it.
A creature feature that earns its suspense by rigorously developing its characters.Pub Date: Jan. 10, 2018
ISBN: 978-1-64062-020-9
Page Count: 265
Publisher: Braveship Books
Review Posted Online: Dec. 13, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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