by James McGee ‧ RELEASE DATE: July 15, 2015
Captivating action, page upon page, from a Regency-era Bond or Bourne.
Matthew Hawkwood of the Bow Street Runners, the British crown's special police unit, finds himself stuck in America, trying to wend his way home to London while the Yankees are at war with Britain.
Seconded to the Alien Office to trouble Napoleon, Hawkwood is forced to escape France on a ship sailing to the fledgling United States. It’s 1812. Hawkwood lands in Boston, intending to make his way home through Canada via Albany when he’s compelled to stop a robbery. The victim, Quade, is an American officer from whom Hawkwood learns valuable intelligence about the Lake Champlain campaign. Then Hawkwood sees an acquaintance, Maj. Lawrence, in a prisoner transport. Ever combative Hawkwood frees Lawrence, undertaking a solo nighttime raid at the Greenbush army camp. McGee also weaves in a storyline about Hawkwood’s childhood. His father, crown loyalist Ellis Hooper, died at the 1777 Battle of Oriskany, and the orphaned Hawkwood was sent to live in New York with the Archers, British loyalists who were then killed by militia forces. Young Hawkwood was rescued by Lt. Wyatt, British 4th Ranger Company, and his ally, Mohawk chief Tewanias As the parallel Hawkwood adventures intertwine—"In his mind’s eye he saw a twelve-year-old boy lost in a forest wilderness, surrounded by shadows"—McGee blends in historical references to Sir John Johnson, Zebulon Pike, and the Lake Champlain paddle steamer Vermont. There’s also insight into the troubled history between the Six Nations and white settlers, although some might find his ever stoic characterization of the Mohawks near cliché—"The other warriors maintained their silence, their faces inscrutable in the fading light." With Lawrence and a touch of British stiff-upper-lip repartee to perk interest, Hawkwood’s a hero to root for, especially with the addition of an intriguing back story.
Captivating action, page upon page, from a Regency-era Bond or Bourne.Pub Date: July 15, 2015
ISBN: 978-1-60598-810-8
Page Count: 496
Publisher: Pegasus Crime
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
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by James McGee
BOOK REVIEW
by James McGee
BOOK REVIEW
by James McGee
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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