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BROKEN FEVER

REFLECTIONS OF A GAY BOYHOOD

An impossible mess of memory and desire.

A collection of essays in which Morrison probes the beginnings of his gay self-identity—a process undoubtedly more intriguing for him than it is for us.

The author treads familiar ground in queer autobiography: childhood longings and confusions are trotted out like trick ponies as he advances from naïveté to knowledge. Violin lessons with a class of girls, the spiritual exigencies of Catholicism, the frustrations of family vacations, and a youthful crush on teen idol David Cassidy—these times and trials of youth serve as the basis of Morrison’s retrospective analysis of the intersection between sexuality and identity in his childhood. Even the tried-and-true twin locations of queer adolescent angst and opportunity—gym and drama class—make their obligatory appearance. The tales themselves offer the promised insight into Morrison’s queer apotheosis, but his floundering and fluctuating tone inhibits the graceful flow of the narrative. At different points in the narrative his voice mimics a sociologist (“In American suburbia, the acquisition of the family pet consolidates the family itself by way of the very processes of acquisition”), the heroine of a Harlequin romance (“ ‘Oh, Cadmus,’ I cry, ‘did you think I would forget you? How could I ever forget my own dear, sweet Cadmus?’ ”), and a New Age guru (“The boy dreams. In the dream he is alone”). Such jerky and stilted tones destroy the quiet accumulation of childhood memories that might have created a handsome patchwork of gay longings and musings. Any hope that such a delightfully queer amalgamation may arise, however, dashes to pieces at such moments of irrelevance as (to take just one example) the author’s extended reflections on President Clinton and the Lewinsky scandal. With more scenes of boyhood wrestling and less pontificating, Morrison’s story might have found its way. But that was not to be.

An impossible mess of memory and desire.

Pub Date: March 14, 2001

ISBN: 0-312-26129-2

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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