A luminous, beautifully told fairy tale grounded in history and elevated by spirit.
A novel presents an emotional story about coming-of-age, spirituality, and the mysteries that lie beyond everyone’s ordinary, waking moments.
At the age of 14, Aiden Glencar’s life is already complicated. He and his older brother, Martin, move between their grandmother, a domineering and occasionally kleptomaniacal Irish Catholic, and their Aunt Clara, who does her best to look after the boys and her own children, taking them to a New Age, nondenominational church. Aiden’s confusion regarding these contradictory philosophies and the strangeness of his living situation is palpable and becomes even more engrossing and sympathetic when he reveals his budding gay sexuality and his fears of what his family and faith might say about it. But it’s Irish folklore more than Christian faith that inscribes the boys’ lives, as Aiden has the second sight, conferring with his dead grandfather and witnessing weirder and more frightening spirits throughout the Boston streets. The boys’ mother has been committed to an asylum, and Aiden fights to get her released even as the spirits urging him to do so give him some doubts about his own sanity. The story continues from this complex setup, teasing out details of Aiden and Martin’s boyhoods in a lovingly rendered 1970s Boston while advancing the murky tale of the spirits Aiden sees, the gift he shares with his mother, and the bitter tragedies and hard-earned triumphs they portend. Mulhern’s (Useless Things, 2018, etc.) prose is strong, delivering readers a sense of the child in Aiden’s voice and a thorough, descriptive view of the world around him. Not only that, but the writing is elevated by a liberal use of quotes and sayings ranging from Bible verses to Thoreau and Yeats, grounding the various players’ cultural context. (At one point, Aiden muses: “Like Thoreau, I believe time is merely a stream we swim in. Someday the current of water will slip away, taking us with it, but the sandy bottom, eternity, will remain.”) Yet ultimately, it’s the rich characters who bring the novel to its greatest heights, as Aiden’s uncertainty, Martin’s protectiveness, their grandmother’s determination, and their mother’s wistfulness and grief make this a story about family and history and give the sense that everything and everyone are connected across time, whether or not those ties are immediately perceived.
A luminous, beautifully told fairy tale grounded in history and elevated by spirit.Pub Date: July 28, 2019
ISBN: 978-1-0822-4062-1
Page Count: 258
Publisher: Kurti Publishing
Review Posted Online: April 11, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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