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Molly Bonamici

A gleefully and wonderfully odd protagonist eases readers into a bare-bones plot.

Mulhern’s (Assumptions and Other Stories, 2016, etc.) drama covers years in the life of Molly Bonamici, who’s indifferent to death and whose most discernible emotion is emptiness.

There are those who consider Molly weird. Even her own parents, who raised her Roman Catholic, are bothered by the fact that she doesn’t believe in God. As a teenager in 1980, Molly is closest to her Nonna, who recognizes that her granddaughter is a bright, beautiful girl. Molly is intrigued by death, if not outright fascinated, but is disturbed when a reputed faith healer tells her that she’ll be “surrounded by death” throughout her life. Soon thereafter, she witnesses her first dead body, an apparent suicide. This incident doesn’t faze Molly, which is apparent to others who see that she isn’t visibly distraught. The 17-year-old graduates early and heads to Boston University, where death follows: a prank apparently results in a student’s fatal heart attack, and Molly loses someone closer to home. A couple of decades later, Molly is a high school English teacher and self-professed asexual woman. She moves from Boston to Florida with new best friend, gay fitness trainer Gabe Callaghan. The still faithless woman becomes a bit reclusive, but Gabe is determined to make a believer out of her. Molly, however, will soon have an epiphany of a thoroughly different sort. The novel, compiled at least in part of previously published short stories, reads like snippets—though the best ones—from a larger tale. Molly’s apathy toward death isn’t as strange as other characters think, more a curiosity than an obsession. This is likewise true for her religious views; Molly doesn’t reject religion but continually (and interestingly) questions it, like why would God allow horrible things to happen. And she’s forever debating her belief: she’s agnostic, then atheist, then unsure. Mulhern’s narrative hits the occasional standstill, where Molly repeatedly ponders the same issues with Nonna or Gabe. But while she may have a cold exterior, her distinctiveness is an appealing quality and often amusing. Molly, for example, discussing a dead body, tells a store clerk: “[M]aggots are a good source of protein....Do you sell word processors?”

A gleefully and wonderfully odd protagonist eases readers into a bare-bones plot.

Pub Date: Feb. 1, 2016

ISBN: 978-1-5238-0780-2

Page Count: 260

Publisher: CreateSpace

Review Posted Online: Feb. 25, 2016

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SHARP OBJECTS

Piercingly effective and genuinely terrifying.

A savage debut thriller that renders the Electra complex electric, the mother/daughter bond a psychopathic stranglehold.

Camille Preaker is a cutter. At 13, she carved “queasy” above her navel, at 29, “vanish” on her neck. In the intervening years, she etched her entire epidermis from the chin down with cries for help. Entertainment Weekly TV critic Flynn discloses this information 60 pages into her explosive novel; before that, we know Camille as a hard-drinking, good-looking Jimmy Breslin wannabe, sent by a second-tier paper to cover two gruesome killings in her Missouri hometown. Nine-year-old Natalie’s corpse was found jammed between the Cut-n-Curl Beauty Parlor and Bifty’s Hardware nine months after another’s girl’s body was dumped in a creek. The murderer’s grisly signature? Both strangled corpses had their teeth yanked out. As she snoops around, Camille gets hot for a cute detective and anxious in her mother’s house. Haunted by the ghost of her sister, a child felled by mysterious illness, Camille warily befriends half-sister Amma, a snaky Lolita with precociously developed smarts and breasts. Bite-sized Queen of Mean who rules the town’s teens, Amma joins Camille in shuddering at their mother, Aurora, an oh-so-proper virago who pulls down a million dollars a year running a pig slaughterhouse. Mommie Dearest is afflicted with an outré psychological disturbance: She inflicts illness on her loved ones to then prove her sweetness by nursing them. Could she be the slayer? Or perhaps an even more hideous revelation awaits? Flynn delivers a great whodunit, replete with hinting details, telling dialogue, dissembling clues. Better yet, she offers appalling, heartbreaking insight into the darkness of her women’s lives: the Stepford polish of desperate housewives, the backstabbing viciousness of drug-gobbling, sex-for-favors Mean Girls, the simmering rage bound to boil over.

Piercingly effective and genuinely terrifying.

Pub Date: Oct. 10, 2006

ISBN: 0-307-34154-2

Page Count: 272

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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SEA OF GREED

Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.

The latest maritime thriller in the NUMA series starring Kurt Austin (The Rising Sea, 2018, etc.)

In 1968, the French submarine Minerve sinks without a trace in the Mediterranean. In the present day, an oil rig explodes in the Gulf of Mexico, killing and badly injuring many workers. Enter Kurt Austin, head of Special Projects at the National Underwater Marine Agency. Kurt leads a team that assists in marine emergencies, so they respond to the Mayday call and quickly find a stream of underwater flame—escaping gas is burning in the water, down “as far as the eye could see.” It’s a fire that needs no oxygen, a phenomenon Kurt’s team has never seen. NUMA calls the disaster clear-cut sabotage, and Kurt’s assignment is to find the guilty party. Said party is Tessa Franco, CEO of Novum Industria, who is busily sabotaging oil production around the world. She wants to promote her new fuel cell to replace “this mad reliance on fossil fuels” and become even more stinking rich than she already is. She has “infected half the world’s major oil fields” by pumping oil-eating bacteria into them, rendering them useless. “She is the oil crisis,” Kurt tells the president. Kurt's and Tessa’s teams race to locate the Minerve, which may have critical genetic research Israel commissioned half a century ago. There are great action scenes underwater and on the surface, where Tessa’s seaplane, the Monarch, is almost as big as a 747. Rotten to the core, Tessa wants her lackeys to “get rid of Austin once and for all.” Her odds look mighty good considering the firepower she brings to bear.

Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.

Pub Date: Nov. 6, 2018

ISBN: 978-0-7352-1902-1

Page Count: 416

Publisher: Putnam

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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