A tediously enthusiastic biography of a once celebrated man of letters. The career and subsequent eclipse of Rupert Hughes (18721956) is further proof that, in literature at least, it is extremely rare for one to be both prolific and great. Hughes had an enormous, even compulsive need to create—writing dozens of novels, short stories, biographies, patriotic screeds that no one reads anymore; scripting, even directing, scores of silent and talkie films that now go unwatched; composing music that is never listened to. He even cranked out the occasional unmuseumed sculpture. In his own time, he was enormously successful and the tag ``story by Rupert Hughes'' was once a significant draw for both films and magazines. Today, he is remembered, if at all, as an uncle of billionaire Howard Hughes. In his dull and thorough way, Kemm, a retired journalist and distant cousin of Hughes's, tries to make the case that posterity has been unfair to ``one of the most remarkable persons in the history of American literature and in the patriotic life of the nation.'' But the plot of every Hughes work he recounts seems worse than the last, and all the quotes and excerpts sound clumsy and wooden. Both Hughes and Kemm share an uncanny gift for using the next-best word. Kemm claims that Hughes led an interesting life, but apart from some mildly controversial opinionizing on subjects such as God, divorce, and George Washington, some late-life ratting out of film-industry communists, and a little home-front soldiery in both world wars, it was mainly scribble, scribble, scribble. History's verdicts are often unfair, but despite Kemm's best, belabored efforts to resurrect Cousin Rupert's reputation, he's arguing a losing case. (30 b&w photos)
Pub Date: Oct. 30, 1997
ISBN: 0-938817-49-3
Page Count: 424
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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