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2ND CHANCE

Lots of slam-bang action, though, except for Lindsay, the alleged action heroines mostly have it happen to them instead of...

A murder outside San Francisco’s La Salle Heights Church brings back the Women’s Murder Club, extending a series (1st to Die, 2001) that could rival Kinsey Millhone for sales, if not for ingenuity, warmth, or humanity.

How could the killer have sprayed the sidewalk with casual gunfire and yet managed to hit young Tasha Catchings, and only her, twice? wonders Lt. Lindsay Boxer. He must have been aiming at her instead of the rest of Aaron Winslow’s church choir—presumably for the same reason he strung up Estelle Chipman in her Oakland basement and disguised the murder as suicide. Since the killer, whoever he is and whatever his motives are, is running rings around the SFPD, Lindsay calls in “the Margarita Posse”: her best friend Claire Washburn, the city’s Chief Medical Examiner; ADA Jill Bernhardt; and Cindy Thomas, the Chronicle’s lead crime reporter. In no time at all, the Women’s Murder Club—“three of the sharpest law-enforcement minds in the city”—have swung into action. One of them gets shot at, one gets pregnant, and one gets to date Aaron Warner. Meantime, the killer dubbed Chimera is continuing to take blood-soaked revenge for a 20-year-old injustice involving a figure from Lindsay’s past, her long-estranged ex-cop father Marty Boxer, in a way that another author might make morally agonizing. Patterson, not one to stop and smell the roses, keeps up the pace by showing Chimera taunting Lindsay and attacking her and her buds, the SFPD running to and fro to counter the latest threat, and the body count rising en route to a showdown introduced by the killer’s cool assessment that there’s “no one to kill right away.”

Lots of slam-bang action, though, except for Lindsay, the alleged action heroines mostly have it happen to them instead of dishing it out.

Pub Date: March 4, 2002

ISBN: 0-316-69320-0

Page Count: 416

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2001

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MURDER ON THE ORIENT EXPRESS

A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.

  **Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach.  Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express.  This is the only name now known for the book.  The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.

 

Pub Date: Feb. 28, 1934

ISBN: 978-0062073495

Page Count: -

Publisher: Dodd, Mead

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Feb. 1, 1934

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ARCHIE GOES HOME

The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.

In Archie Goodwin's 15th adventure since the death of his creator, Rex Stout, his gossipy Aunt Edna Wainwright lures him from 34th Street to his carefully unnamed hometown in Ohio to investigate the death of a well-hated bank president.

Tom Blankenship, the local police chief, thinks there’s no case since Logan Mulgrew shot himself. But Archie’s mother, Marjorie Goodwin, and Aunt Edna know lots of people with reason to have killed him. Mulgrew drove rival banker Charles Purcell out of business, forcing Purcell to get work as an auto mechanic, and foreclosed on dairy farmer Harold Mapes’ spread. Lester Newman is convinced that Mulgrew murdered his ailing wife, Lester’s sister, so that he could romance her nurse, Carrie Yeager. And Donna Newman, Lester’s granddaughter, might have had an eye on her great-uncle’s substantial estate. Nor is Archie limited to mulling over his relatives’ gossip, for Trumpet reporter Verna Kay Padgett, whose apartment window was shot out the night her column raised questions about the alleged suicide, is perfectly willing to publish a floridly actionable summary of the leading suspects that delights her editor, shocks Archie, and infuriates everyone else. The one person missing is Archie’s boss, Nero Wolfe (Death of an Art Collector, 2019, etc.), and fans will breathe a sigh of relief when he appears at Marjorie’s door, debriefs Archie, notices a telltale clue, prepares dinner for everyone, sleeps on his discovery, and arranges a meeting of all parties in Marjorie’s living room in which he names the killer.

The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.

Pub Date: May 19, 2020

ISBN: 978-1-5040-5988-6

Page Count: 248

Publisher: Mysterious Press

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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