by James Preller & illustrated by Greg Ruth ‧ RELEASE DATE: Aug. 20, 2010
A little boy with pirates on the brain navigates the first day of school. Narrating in a vigorous piratespeak, he takes readers through his day. “Then in the galley, I mashed me choppers on grub and drowned it with grog.” It may come as no surprise to learn that school comes as a bit of a letdown: “ ’Twas good enough for lubbers, I suppose. But where’s me treasure?’ ” he asks his teacher, “Cap’n” Silver, at the end of the day, and she obliges. Ruth matches the narration with striking line-and-watercolor graphics, surrounding his hero (who sports a skull-and-bones athletic jersey) with sepia-and-white pencil renderings of pirates (and a parrot) who silently kibitz on his day. Pirate-addled readers will dance a jig; press-ganged kids will be happy for the glossary. Good fun, me hearties. (Picture book. 4-7)
Pub Date: Aug. 20, 2010
ISBN: 978-0-312-36928-6
Page Count: 48
Publisher: Feiwel & Friends
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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by Adele Griffin & Courtney Sheinmel ; illustrated by Sara Palacios ‧ RELEASE DATE: Jan. 17, 2017
Though episodic rather than eventful, it’s sure to entertain young readers transitioning to chapter books
Griffin, Sheinmel, and Palacios introduce an earnest, quirky duo in a light series for transitioning readers.
Four short seasonal vignettes—“Spring: Surprise Party,” “Summer: Beach Day,” “Fall: New Sneakers,” and “Winter: Perfect Pizza”—illustrate a year’s time with best friends Agnes Pig and Clarabelle Chicken. The pair is unquestionably charming and unapologetically unconventional. For instance: both friends plan and organize Clarabelle's “surprise” birthday party; instead of shopping for new shoes, Agnes gives Clarabelle the pair she’s wearing, having grown out of them; Agnes’ idea of bad news is going to the beach; and a perfect pizza sports chestnut, popcorn, and white-chocolate-chip toppings. Interspersed through the stories are alternating moments when one is scared, reassuring, or understanding. Agnes squawks, clucks, and shakes her tail feathers with excitement; and to comfort her friend, she squeezes Clarabelle’s hoof—they’re a chicken and pig, after all. Gentle wordplay is beautifully childlike: Clarabelle says, “I want to leave this store of lostness,” after becoming disoriented in a department store. Palacios, Pura Belpré illustration honoree for Marisol McDonald Doesn’t Match /Marisol McDonald no combina, by Monica Brown (2011), decorates almost every spread with soft and warm-colored paintings. Agnes often dons a bow, and Clarabelle wears flowers; they are often inexplicably, but sweetly, surrounded by birds. Sequel Agnes and Clarabelle Celebrate! publishes simultaneously.
Though episodic rather than eventful, it’s sure to entertain young readers transitioning to chapter books . (Fiction. 5-7)Pub Date: Jan. 17, 2017
ISBN: 978-1-61963-778-8
Page Count: 80
Publisher: Bloomsbury
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Adele Griffin ; illustrated by LeUyen Pham
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by Maurice Shadbolt ; illustrated by Renee Haggo ‧ RELEASE DATE: April 1, 2016
Although the author may be famous in the adult literary world, this story is not a success.
A well-known New Zealand writer for adults offers children a tale about an inanimate object who wants to live like a person.
A mountain walks to town, where it meets Thomas, a white boy who stays behind when all the other people flee, and says: “I only want to live in a house.” Thomas decides that the mountain is too large for any house. There is a folkloric element to the tale, as Thomas tries in three ways to help the mountain get his wish. First he attempts to shrink the mountain with soap and water and then chips away at the stone. Finally, he decides that his father, an artist, will paint the mountain’s picture and put it in a house. He persuades the mountain that it can remain a place where people can enjoy picnicking and skiing and still live in a house with people, a Solomonic solution that may not resonate with the intended audience. The acrylic paintings, mostly in shades of brown and gray, are realistically rendered, except when the mountain comes to life with the craggy, anthropomorphized face of a sculpted idol. There is a surrealist, static feel to some of the paintings, and the language, no doubt aspiring as well to the folkloric, is stilted.
Although the author may be famous in the adult literary world, this story is not a success. (Picture book. 5-7)Pub Date: April 1, 2016
ISBN: 978-1-76036-002-3
Page Count: 32
Publisher: Starfish Bay
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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