Readers will relate to compassionate, confused Lizzy but might find the overloaded plot hard going.
Sometimes secrets twist and turn, leading to mistrust and pain.
Lizzy Swift has epilepsy. She never speaks of it, even to those who know of her condition. She is always worried that she will have a full-blown seizure or that others will notice her petit mal lapses. She and her best friends, Gage and Mimi, are the nerds of the senior class at their all-girls school near Philadelphia. Claire is a new girl, eccentric and with her own mysterious secrets, who draws Lizzy into a different, sometimes-uncomfortable sphere, and Lizzy never knows how Claire will behave toward her. Her longtime secret crush, Matt, is now her boyfriend, and his secrets are even more subtle and hard for her to fathom. Confusing her further is her strong reaction to Mimi’s brother, Theo, who appears when he is needed. Divided into the three seasons of the 1988-89 school year, there are many references to the pop culture and musical groups of the era that modern readers might not recognize. Everything is told in Lizzy’s voice with her own flawed insights and limitations. Characters and events seem to float in and out of the plot, and a seemingly pat conclusion leaves one very important unanswered question. Major characters are white apart from Mimi and Theo, who are Korean-American.
Readers will relate to compassionate, confused Lizzy but might find the overloaded plot hard going. (Fiction. 14-18)Pub Date: June 12, 2018
ISBN: 978-1-61620-676-5
Page Count: 352
Publisher: Algonquin
Review Posted Online: April 9, 2018
Kirkus Reviews Issue: May 1, 2018
PERSPECTIVES
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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