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APOCALYPSE BOW WOW

Like Godot, this book is both comic and perplexing. Readers with an absurdist sensibility will appreciate the slow pacing....

It would be wrong to say that this book is Waiting for Godot with dogs, despite superficial similarities.

This graphic novel isn’t much like Samuel Beckett’s play, although it is arranged in scenes. The main problem in Godot is existential angst. The main problem in this comic is doorknobs. Dogs can’t open doors, so they have to wait for their owners to bring them food, and the wait is endless, because every human in the world seems to have disappeared after an unnamed disaster. There are lengthy, circular conversations about food: “I’m hungry.” “Aren’t you always hungry?” The comic book has more fight scenes than Godot, which means there are multiple appearances by the book’s funniest character, a flea who’s read Sun Tzu’s The Art of War. He’s always ready to give the dogs cryptic advice: “The opportunity of defeating the enemy is provided by the enemy himself.” Unfortunately, whenever he leaves the story, the dialogue turns mundane. Here’s Scene 3 in its entirety: “How come you get to lie on the couch?” Some readers will find the banality hilarious. No other post-apocalyptic novel has this many conversations about furniture. And the black-and-white artwork is endearingly primitive. The dogs are shaped like little sausages or maybe heretofore-undiscovered continents.

Like Godot, this book is both comic and perplexing. Readers with an absurdist sensibility will appreciate the slow pacing. Other children may get tired of waiting. (Graphic fantasy. 8-12)

Pub Date: Jan. 6, 2015

ISBN: 978-1-61963-442-8

Page Count: 224

Publisher: Bloomsbury

Review Posted Online: Sept. 30, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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THE WILD ROBOT PROTECTS

From the Wild Robot series , Vol. 3

Hugely entertaining, timely, and triumphant.

Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.

When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.

Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)

Pub Date: Sept. 26, 2023

ISBN: 9780316669412

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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